A Quote by Brett Lee

I bowl my best when I am fittest and the best way to get fit is to bowl. That's how you get your rhythm. You cannot really find a rhythm by bowling in the nets. — © Brett Lee
I bowl my best when I am fittest and the best way to get fit is to bowl. That's how you get your rhythm. You cannot really find a rhythm by bowling in the nets.
If I am talking to a youngster, I coach him what I feel is best for him to bowl, how to hold the ball, how to bowl certain things, and how to bowl to certain batsmen, how to position himself. I never talk to them about the rules.
Obviously, if I start bowling more, I will get better. To bowl more, I must be effective whenever I get to bowl - it doesn't matter if it is the 40th or the 100th over.
Sometimes you can be one of the best, but you don't accept that if you don't get the ring or win the Super Bowl. There's a lot of good teams between the Super Bowl winner and other teams. Once the Super Bowl is over, we lump everyone into the other 31, and that's not fair.
Where I come from we say that rhythm is the soul of life, because the whole universe revolves around rhythm, and when we get out of rhythm, that’s when we get into trouble.
I love bowling and could bowl, bowl, and bowl.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
Style is a very simple matter; it is all rhythm. Once you get that, you can't use the wrong words. But on the other hand here am I sitting after half the morning, crammed with ideas, and visions, and so on, and can't dislodge them, for lack of the right rhythm. Now this is very profound, what rhythm is, and goes far deeper than any words. A sight, an emotion, creates this wave in the mind, long before it makes words to fit it.
A pop song is a condensed version of a life in three minutes, whereas, when you go to write your prose, you have to find the rhythm in your words, and you have to find the rhythm in the voice that you have found and the way you're speaking.
In the nets, I would see spinners like Piyush Chawla bhai or Amit Mishra bhai running in to bowl. I decided I am going to change my run-up and begin to run in to bowl.
If you're doing takeout, try to get the healthiest takeout you can. And just take it out of the plastic, right? Get your grandma's old china or get a fancy little bowl, and put the takeout in the bowl and light a candle.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
I took the rhythm place, which a lot of people didn't know how to do the way I could, and this was really the first time that Johnny had a rhythm guitar player.
The first day's always the hardest, because it moves so much faster than a film does and once you get into that rhythm, though, you feel like you've accomplished so much in such a short period of time, so there a bit of comfort in that. You just have to find your rhythm.
All life requires a rhythm of rest. . . There is a rhythm in the way day dissolves into night, and night into morning. There is a rhythm as the active growth of spring and summer is quieted by the necessary dormancy of fall and winter. There is a tidal rhythm, a deep, eternal conversation between the land and the great sea.
Obviously you have to have rhythm. If you have rhythm, then you can play anything you need. If you have rhythm and you love music, then play and play and play until you get to where you want to get. If you can pay the rent, great. If you can't, then you'd better be having fun.
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