A Quote by Brett Young
I love to be able to tell a whole story in three-and-half minutes.
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'Cause a musician, you can't tell me, "I've got this message I want share with the public," and it's three-and-a-half minutes long. That's not it. If your message is only three-and-a-half minutes long, then we got nothing else to talk about. Because life is more complex than three-and-a-half minutes.
What's so great about television. You're able to tell a long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
That's what's so great about television. You're able to tell this long story, where you couldn't really do that in a film because you have to tell a story in an hour and a half or two hours.
'Monkeys' is made up of nine short stories that tell an overall story. 'Folly' is a series of vignettes all put together to tell a larger story. In 'Lust and Other Stories,' there are nine stories - three, three, three; the beginnings of love, the middles, and the afters.
I would love to act. I get to do it in three and a half minutes in a video on a three-day shoot, which is fun.
I take a whole life story and compress it into three minutes.
There should be a whole book written about that one word: country. What does that mean, country? It's such a huge umbrella. I would hope that what makes it country is that it all starts with a song. The story being told in three and a half minutes that is not being told on another station.
I know people heal by being able to tell the story - the whole story.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
I wrote 'Always Love' in 10 minutes. It's a very positive song, more positive than I am in reality, but I was feeling good for three and a half minutes. And every time we play a show I think, 'Well I should probably be that positive,' but I'm not.
The way that I work as an actress, I always prefer to read the whole story and tell the whole story and feel what the whole story's going to be, the journey for the audience and how it ebbs and flows, the highs and the lows.
Sometimes there's no qualitative difference between two-and-a-half and three-and-a-half hour shows. It's just a matter of how long you do it. It's not like the show must be three hours and 30 minutes to work. That's just not the case.
In a movie, you work three months to tell a story that happens in two hours. In a Mexican soap opera, you work one day to make a story that's an hour and a half. So you can see the difference in the quality of the project.
What I love about [TV] is this: It's a specific thing to be able to tell a satisfying, rewarding story in less than 25 minutes. Not everyone can pull that off. There's something really cool about giving lit people a bunch of little mini movies.
When we are playing, the whole country is behind us, and that gives us a good feeling. We are almost half and half. We are from everywhere. In the end, we are doing well as a team, and we love it when we hear the game is sold out in five minutes. That's the reason you play.
She let herself love me for three minutes. Can three minutes last forever? I ask myself, but already know the answer. Probably not, I reply. But maybe they last long enough.
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