A Quote by Breyten Breytenbach
You ride astride the imaginary in order to hunt down the real.
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When real nobleness accompanies that imaginary one of birth, the imaginary seems to mix with real, and becomes real too.
The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
Possession means to sit astride the world Instead of having it astride of you.
Iran is a country of 80 million people, educated and dynamic. It sits astride a crucial part of the world. It cannot be sanctioned and pressed down forever. It is the last great civilization to sit outside the global order.
Ramona stepped back into her closet, slid the door shut, pressed an imaginary button, and when her imaginary elevator had made its imaginary descent, stepped out onto the real first floor and raced a real problem. Her mother and father were leaving for Parents' Night.
Disneyland is presented as imaginary in order to make us believe that the rest is real.
One might think this means that imaginary numbers are just a mathematical game having nothing to do with the real world. From the viewpoint of positivist philosophy, however, one cannot determine what is real. All one can do is find which mathematical models describe the universe we live in. It turns out that a mathematical model involving imaginary time predicts not only effects we have already observed but also effects we have not been able to measure yet nevertheless believe in for other reasons. So what is real and what is imaginary? Is the distinction just in our minds?
Man is the hunter; women are the game; those sleek and shining creatures of the chase. We hunt them for the beauty of their skins; they love us for it, and we ride them down.
We hunt in Florida, where I live in Jay. I hunt in Alabama a little bit, on my uncle's land. I go to Illinois and hunt with some friends up there. I hunt in Mississippi and Missouri.
The poet Marianne Moore famously wrote of 'real toads in imaginary gardens,' and the labyrinth offers us the possibility of being real creatures in symbolic space...In such spaces as the labyrinth we cross over [between real and imaginary spaces]; we are really travelling, even if the destination is only symbolic.
The distinction between what is real and what is imaginary is not one that can be finely maintained ... all existing thing are ... imaginary.
And in 'Frisco Kid' and in 'The Woman in Red' I had to ride badly. Then you have to really ride well in order to ride badly.
Gods, religions and national boundaries are absolutely imaginary. They don't tend to exist. As soon as you pull back half a mile and look down at the Earth there are no national boundaries. There aren't even national boundaries when you get down and walk around. They're just imaginary lines we draw on maps. I just get fascinated by people who assume that things that are imaginary have no relevance to their lives.
There are two kinds of Arctic problems, the imaginary and the real. Of the two, the imaginary are the most real.
Imaginary obstacles are insurmountable. Real ones aren't. But you can't tell the difference when you have no real information. Fear can create even more imaginary obstacles than ignorance can. That's why the smallest step away from speculation and into reality can be an amazing relief...The Reality Solution means: Do it before you're ready.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
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