A Quote by Bria Vinaite

I think any time I'm nervous I just pretend that I'm not, and that's how I deal with it. — © Bria Vinaite
I think any time I'm nervous I just pretend that I'm not, and that's how I deal with it.
I think any time you have any kind of social ill, not just domestic violence...as much as it's about the act, the obvious theme of domestic violence, Domestic Violence Awareness Month is also about how men deal with their emotions. It's not just like who gets brutalized; sometimes it's women that are abusing men, too. I think it's just an opportunity for us to look at ourselves. How do we treat each other? Why do we treat each other that way?
After a couple of rehearsals and a couple of takes, Sydney Pollack says, "Come here. Why are you not nervous?" And I [say], "Do you think it would be better if I was nervous?" And he says, "No, it's just I can't understand it - how you would be first time on a set, you're acting, when he flubs his line you make up a new line. It's very interesting." It's not that I think I'm great; that's what I knew I wanted to do.
On tour things go wrong all the time, I mean that's live music, that's what it's all about. I think one of the things I'm learning is that when stuff goes wrong, really brilliant musicians have the ability to turn this into something interesting and unique. I think good people in any sphere of anything know how to deal with problems, how to take it in your stride. We are learning this by touring, by being put in these positions when we need to focus and deal with it.
I stopped getting nervous a long time ago, so any time I do get nervous, which is rare - about work, anyway - I always take that as a really good sign.
I think Berklee College of Music had the highest dropout rate of any college - or pretend college - in the United States. Because I think most people think they're going to be in Green Day or whatever, and you actually have to learn about music you don't care for, too. I mean, I cared for a great deal of music; it's just that I didn't want to submerge myself into the well of fusion jazz.
They're a handful, but Emily deals with that all the time and, as an actor, I deal with that all the time, so you just ignore it. When Julia [Jones] first came on set, she was like, "How do you deal with it?," and I told her, "You just tune it out after awhile." They were competing with each other, doing push-ups and just being ridiculous, so you just have to zone out.
I just rode cross-country and the thing I noticed is just how afraid everyone is, and how nervous and scared and angry people are. From my point of view, I don't think it's all necessarily justified, but I think that's easy for me to say.
I was nervous about a Corbyn government, although I would have supported it because a lot of the policies were good. I was far more nervous of a Conservative government but here it is, we've just got to deal with it.
I think I'm most nervous about revealing how nervous I have always been. People think me calm, confident, poised. Inside I'm a jelly.
I always knew I wanted to do music, but it took me a long time to figure out how to exactly do that. With my first record deal, everything kinda fell apart. I wasn't ready for it, I didn't know how to handle the business side at all. I thought as soon as I got a record deal, everything would fall into place and I wouldn't have to really do any work anymore. I could just make music, and be successful. Well that was not the case and everything fell apart for a period of time.
I've been a teacher all my life. I've had my own dance studio, my own acting studio for 18 years out here... I'm just a natural teacher. I teach on all my healing work now. I think actors teach any time they work anyway. We're teaching emotions, we're teaching how to deal with emotions, we're teaching how to get around issues and deal with them. Actors are some of the best teachers in the world, because they're teaching you through entertainment, and you don't know you're getting a message.
I've never been nervous. I just wanted to play and have a good time. If it didn't work, then I would get nervous. But, for the most part, I just go for it.
I developed in my head that I'm never any better than my last concert or the last time I played, so it's like an audition each time. You get nervous just before going onstage. I still have that, but I think it's more like concern. You're concerned about the people - like meeting your in-laws for the first time.
Someone tattooed my initials on their ring finger, and I felt that it was extreme. I freaked out and ran away from there at that time but now when I think about it, I realise how sweet and what a huge commitment it was and I appreciate it. However, at that time I found it extremely weird and didn't know how to deal with it but to just run away.
I don't feel that Shaunae Miller cheated me because she didn't break any rules or anything like that, but I do feel like it's a very difficult way to lose. Having worked so hard and I know that that was such a close race, it just kind of made it even harder to deal with defeat just because of how it was done. But I don't think that she had any ill intention by it or did it on purpose. I think it just kind of happened.
Thirty was a big deal for me. It was the age where I reevaluated everything - how I approached life and how I thought about myself. When I look at my 20s, or when I look at any period in my life, I think about how much time I've wasted trying to find the right man.
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