A Quote by Bria Vinaite

I have direction, but I was very particular about the things that I wanted to do, and I refused to get just like, a regular job. — © Bria Vinaite
I have direction, but I was very particular about the things that I wanted to do, and I refused to get just like, a regular job.
Like any parents, mine wanted me to have a secure job with a regular wage and career prospects. And the one job my father knew of, that he'd had experience of himself, was the army, so he could help me in that direction.
I have refused money sometimes for a film. I have refused films when I felt that it was not for me. When it was just a job or just about making money, I said no. I wanted to make every film count, and when you are true to yourself, this gives you a certain integrity and a certain reputation.
I don't think about competition. I am definitely attracted to not just playing a regular character - I don't know there's any such thing as "regular. In American Crime, I get to play a runaway who's living with her pimp in North Carolina and she's a prostitute, but she's a victim of human trafficking because she's under 18. I like those roles. That's what I wanted; I wanted to play someone that was a challenge.
I didn't want to be driving to work everyday and sending out my Starbucks order. I didn't want to be in New York or L.A. I wanted to have space and I wanted to be in a remote place where all of us could just be ourselves and not worry about anyone trying to listen in or get in on that. I wanted to just be comfortable. I feel like being in a big city - as much as I find New York, in particular, very inspiring in a lot of ways - can also be claustrophobic.
There are things I take sides about, like capital punishment, which it seems to me there is only one side about: it is evil. But there are two or three sides to sexual harassment, and the moment you get into particular cases, there is injustice in every conceivable direction. It's a mess.
Suppose you like someone very much. Then, by a familiar halo effect, you will also be prone to believe many good things about that person - you will be biased in their favor. Most of us like ourselves very much, and that suffices to explain self-assessments that are biased in a particular direction.
Some guys are just very, very interested in their sport and their predecessors. I know I was a guy like that when I was a young coach. I wanted to know about George Halas, I wanted to know about Jim Lee Howell, guys you don't even know. I wanted to know what they were like. So I read whatever I could get my hands on.
I told my parents when I was three that I wanted to be in movies. I don't know what I saw at three years old that would make me decide that's a job and I want to have that job. But I was very confident, very sure that's what I wanted to do. I didn't do anything about it. I didn't prove it to myself or anything. I just knew.
Just because you're a solo artist playing guitar, that doesn't make it folk. People get a bit confused about these things. There's so many more aspects to my music than that. Earlier on in my career, people tried to push me in that direction. They kind of wanted me to be a folky princess, which was just never gonna happen. I don't understand quite why it is, but it is very irritating that it's still happening.
And Paul Moravec, not being a theater person, would always trust me when I said things that I am like, "you're going to need another 10 seconds of music year to get them across the stage." But I always knew that the people were going to be coming to hear his music of which my words are going to be a part. It was clear that he wanted to go and direction A., and I wanted to go and direction B. We would've gone and direction A. That's the most important piece of advice I can give to anybody who finds themselves in an opera, or musical comedy situation like that.
I was very concerned about who was going to take my story and realize it, so I was very particular and spent a lot of time going over things with him, talking about how I wanted it to be told.
If you're interested or like it, but could be just as happy living in a regular town, having a regular job, maybe doing little theatre, you're better off and you'll be a happier person. This is too gut-wrenching and heartbreaking.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
Yeah, I'm a vegetarian - but still, some things are just nasty. I like salads. But sometimes, they get too creative. I like regular food, just no meat in it.
As an actor, you just want to work, and then you just want to be on a show or have a job that you love, and you hope that job will last - those things have happened. To have that platform to then talk about something that is very personal to me like marriage equality, it feels like a gift. I try and really respect that voice and not abuse it.
I think I just wanted to work when I finally came to Hollywood. That's what it was. I wanted to get a job, and then I wanted to get the second one.
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