A Quote by Bria Vinaite

I never counted how many tattoos I have, but I started getting them at a really young age, so most of my big ones are cover-ups. — © Bria Vinaite
I never counted how many tattoos I have, but I started getting them at a really young age, so most of my big ones are cover-ups.
I was runner that really started focusing on swimming at a very young age, and that's kind of how I got into acting. I was at a school for gifted athletes and gifted artists, and I got injured one year and started hanging out with all the actors and dancers and all those crazy people and started getting the bug.
At any rate, that’s how I started running. Thirty three—that’s how old I was then. Still young enough, though no longer a young man. The age that Jesus Christ died. The age that Scott Fitzgerald started to go downhill. That age may be a kind of crossroads in life. That was the age when I began my life as a runner, and it was my belated, but real, starting point as a novelist.
I started working out and doing martial arts when I was about 4 years old, and I was competing by the time I was five or six. So my mom and dad had me doing push-ups and sit-ups from a very young age.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
I think I have become wise enough, because I started at a young age and know there are ups and downs in this business - I've realised it's not real.
In today's day and age, where so many kids are taught to specialize so early, I want to show them you don't have to - at a young age, high school age, college age and hopefully a professional age.
My father was a really good athlete, so his pop-ups really were sky high. Eventually I learned how to judge them properly and catch them well. It was great training for when I started to play on teams, which I did all through school.
I really do hope 'The Hate U Give' provides mirrors for readers who don't often get them in books. I've had so many young black girls tell me just how thrilled they are to see someone who looks like them on the cover. I hope that they see themselves in the pages as well.
I was brought up in a household of chaos and I never felt stable at home. At a really young age, I decided I was never going to feel helpless, I was never going to feel weak around a man, and I was never going to rely on anyone. Independence was a big, big thing for me.
The tattoos on my legs started because they didn't let me get tattoos on my upper body at work. They would never clear me for anything.
I've never really understood tattoos. I mean, it's your body - why would you wanna scar it? I don't mind other people's tattoos, but I just never got it.
I see so many tattoos of my stuff on people - tattoos of my book covers, tattoos of quotes . . . it's kind of daunting sometimes.
Fred Jr. Trump was great. He was the most handsome person. He was a really smart guy, really, really smart guy. He had everything. But at a certain age he started drinking a little more, a little more, and ultimately it was a big problem, and he'd say don't ever, ever drink. And I'll tell what you, I never - I have never had a glass of alcohol.
That was cool, getting to work with Ryan Gosling. I knew he was going to be a huge star after I saw him in that Showtime thing that he did when he was really young [The Believer]. I think the most fun thing about that was I'd never seen somebody that had so many questions about the specifics of everything: where you ate, how much you ate, how much you drank. He's very special.
I started when I was really young. I was playing with my dad when I was 8 or 9, and I started playing shows then. I had a short stint in a DIY all-girl punk cover band.
Give people, including yourself, clear permission to make mistakes . . . and to fix the problems. Since nobody's perfect, mistakes should be allowed. Cover-ups shouldn't. Cover-ups create twice the trouble.
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