A Quote by Brian Aldiss

I am a writer and always was; being a writer is an integral part of my identity. Being published, being well regarded, is a component of that identity. — © Brian Aldiss
I am a writer and always was; being a writer is an integral part of my identity. Being published, being well regarded, is a component of that identity.
Being Nigerian is a strong part of my identity. Being American is a strong part of my identity. And there are important parts of who I am that really have nothing to do with my national connection.
My being Muslim is only one part of my identity. But particularly in India and the world over, a concerted effort is being made to diminish all other aspects of identity and only take your religious identity as who you are.
I am a gay writer, but I am also a Scottish writer and some days a lazy writer, or a funny writer. Being gay is just a part of who I am.
All third world literature is about nation, that identity is the fundamental literary problem in the third world. The writer's identity is insecure because the nation's identity is not secure. The nation doesn't provide the third world writer with a secure identity, because the nation is colonized, it's oppressed, it's part of somebody else's empire.
When I was a child in the 1940s and early 1950s, my parents and grandparents spoke of Britain as home, and New Zealand had this strong sense of identity and coherence as being part of the commonwealth and a the identity of its people as being British.
I suppose my Iranian identity is one of the driving forces for being a writer: I want to set the record straight about who I really am.
My identity is based around being a writer. I can't not write. It's a compulsion.
I know personally that being a conservative minority is a test of character. Identity, after all, is an integral and cherished part of the self.
The nightmare of censorship has always cast a shadow over my thoughts. Both under the previous state and under the Islamic state, I have said again and again that, when there is an apparatus for censorship that filters all writing, an apparatus comes into being in every writer's mind that says: "Don't write this, they won't allow it to be published." But the true writer must ignore these murmurings. The true writer must write. In the end, it will be published one day, on the condition that the writer writes the truth and does not dissemble.
I was writing everything. I grew up in Albany, New York, and I was never any farther west than Syracuse, and I wrote Westerns. I wrote tiny little slices of life, sent them off to The Sewanee Review, and they always sent them back. For the first 10 years I was published, I'd say, "I'm a writer disguised as a mystery writer." But then I look back, and well, maybe I'm a mystery writer. You tend to go where you're liked, so when the mysteries were being published, I did more of them.
Being a writer is a very private, internal process. Ultimately I am more the writer, being an introvert.
There's a great social component to being a writer, to being an artist.
Sometimes, in my published complaints about not being a writer, I have recalled the prospect - the yearning to be a writer - as it first formed for me.
Being a twin, and being my sister's twin, is such a defining part of my life that I wouldn't know how to be who I am, including a writer, without that being somehow at the centre.
There are always interesting, innovative, dynamic stories being written and being published. They're not always being prominently published, but they're being published.
I'm wary of being put in boxes. But at the same time, it's important that I embrace my identity as a writer who happens to be gay, and in my own way I do that.
This site uses cookies to ensure you get the best experience. More info...
Got it!