A Quote by Brian Andreas
There came a moment in the middle of the song when he suddenly felt every heartbeat in the room & after that he never forgot that he was part of something much bigger
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I can remember the moment when I suddenly felt that the camera was a living partner. I suddenly felt this is art, and the camera is a co-operative living person. After that I was extremely happy to act in films.
In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.
I don't understand German myself. I learned it at school, but forgot every word of it two years after I had left, and have felt much better ever since.
He suddenly opened his eyes and looked at everyone in the room. It was a terrible gaze, mad or maybe furious and full of fear of death... Then something incomprehensible and frightening happened. ... He suddenly lifted his left hand as though he were pointing to something above and bringing down a curse on us all. ... The next moment, after a final effort, the spirit wrenched itself free of the flesh.
And at any moment it all ends with a heartbeat…just one heartbeat, and there’s no more time. One heartbeat and the chance to be saved is gone. One heartbeat and there’s no more choosing—it’s all sealed for eternal life or eternal death.
Yesterday, happiness came in suddenly, as it used to, and remained for a moment in the great, dark, silent drawing room.
I've never been lonely. I've been in a room... I've felt suicidal, I've been depressed. I've felt awful ... awful beyond all , but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude.
So every time I rap about being a big girl in a small world it's doing a couple things: it's empowering my self-awareness, my body image, and it's also making the statement that we are all bigger than this, we're a part of something bigger than this, and we should live in each moment knowing that.
Every time I rap about being a big girl in a small world, it's doing a couple things: it's empowering my self-awareness, my body image, and it's also making the statement that we are all bigger than this; we're a part of something bigger than this, and we should live in each moment knowing that.
I'm not that type of musician where I can sit down at the piano and work out a song; I actually really enjoy that process of sitting with somebody and having nothing and then suddenly something starts appearing. You struggle with it, and then suddenly a song starts to appear. Then, you've got to try and muscle it - there's that word again - into something and you do. You tussle with it and play with it and roll around with it and suddenly, magically, something appears.
I pretty much started the lyrics and I hit a roadblock and I think Kerry finished them up. Then I came back and did the ending part. The whole 'Raining Blood.' That part. But it pretty much came together easy. It's a short song.
Scientists say every action initiates an equal and opposite reaction. I say that's just the start. I say every action initiates a most unequal and upredictable chain reaction, that every filament of living becomes part of a larger weave, while remaining identifiable. That every line of latitude requires several stripes of longitude to obtain meaning. That every universe is part of a bigger heaven, a heaven of rhythm and geometry, where a heartbeat is the apex of a triangle.
I can't tell you how much I love Target and Costco, that kind of culture, because it's something I never felt a part of. I've always felt like a tourist because I have never fit in anywhere.
I enjoy the song writing process more than anything. It's what I like the most, just sitting in my room with guitar or at the piano or something. Just making something up, something that's not there, that suddenly is there.
The wisest man I ever knew taught me something I never forgot. And although I never forgot it, I never quite memorized it either. So what I’m left with is the memory of having learned something very wise that I can’t quite remember.
I felt suddenly cruel, like I´d told dmall children there was no tooth fairy, that it was just their Mom sneaking into their room after they went to bed.
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