A Quote by Brian Baumgartner

For me, it was a lot of hard work doing theater eight nights a week around the country, going from job to job. — © Brian Baumgartner
For me, it was a lot of hard work doing theater eight nights a week around the country, going from job to job.
I think that I'm doing my job, and it's nice to be recognized, but I also know that a lot of the people who are happy with me now are not going to be happy with me in four to eight years and that I'm just going to keep doing what I'm doing.
I was interning at a children's theater group in Kentucky - that was my first job out of college. I had jumped around a couple of regional theaters, and I was about to go back to Maine to work at a summer Shakespeare theater there. I didn't want to just jump around the country from gig to gig. I really wanted to go to a city and get involved in a theater scene and a theater community.
Broadway's a lot of work, don't get me wrong. It's eight shows a week. You hardly ever see the sunset. I remember when I left, I was like, 'Oh! The sun's setting! I haven't seen that in a year!' Singing eight shows a week is hard.
I'm not doing a 9 to 5 job, so every week is different; one week I might be at home for three or four days, and another week it'll be busier. That's the beauty of my job.
To stay around any place you love, you have to have a job. In college at Georgetown in the fifties, I got my first theater job checking coats at the National, which was Washington's main theater.
I'm a better mother if I'm also doing my work. Some women find a lot more satisfaction from doing the hardest job, which is being a mom. But I like my day job, so I juggle a lot.
Crime is a job. Sex is a job. Growing up is a job. School is a job. Going to parties is a job. Religion is a job. Being creative is a job
I went to work. That was a turning point. When you have to do eight shows a week and your name is on the marquee, no matter what is going on at home or what's on the cover of the newspapers, you've got to do your job.
My summer jobs for three years were going to work in my dad's factory and earn a bit of pocket money. I absolutely loved it, and I think I learnt more there than I did at Cambridge, actually, in terms of how hard work is and how tough it is finding a job, keeping a job, managing a job and family and commitments outside of work.
[Fringe] was just about doing the job, or trying to do the job, properly. It was never a job that you could rest on your laurels. It was a very challenging 43 minutes of television that we were shooting, every week.
My job - and it's really true - is that it's constantly evolving and changing. When I was doing the Chet Baker movie I was obsessed with playing the trumpet, and to my absolute shock I haven't picked the trumpet up since we wrapped. It was so much work. I thought I was going to keep playing the rest of my life, 'cause it was fun, it's just a lot of work. And it's a really unique job that exposes you to a lot.
It's a job. When I'm writing I'm going to do it five to six days a week and I'm going to work for four to six hours a day. There's no magic writing fairy. It's just hard work.
My job is to do the best possible job for my country, and I wouldn't want someone else telling me what I should be doing in Canada.
It's a pretty good job being an actor, but it's work sometimes. And when I say work, I mean it's a job. You're going to a job.
I think what frustrated me more than anything else in my formative years was that I just had to work. I had to have a job. Like twenty to thirty hours a week, a lot of times in high school and college. And that was hard.
Doing a job RIGHT the first time gets the job done. Doing the job WRONG fourteen times gives you job security.
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