A Quote by Brian Binnie
I remember going to London with my father in 1968 to see '2001: A Space Odyssey.' I just soaked in that movie. To me, that was real; it was going to happen.
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A voice expressing emotion in a musical way moves on. It's like the finale of the movie 2001: A Space Odyssey (1968) - the world turns in on itself, as a universe unto itself, in the shape of one human being.
'2001' is a really interesting movie because it came out in 1968, and everybody thought that that was possible, and look how ridiculous that was. We don't have ships like that, and you know, nobody in 1968 was going, 'Oh, that'll never happen!' But of course it never happened. We're not even close to it.
As filmmakers, we want the audience to have the most complete experience they can. For example, I interviewed Stanley Kubrick years ago around the time of '2001: A Space Odyssey.' I was going to see the film that night in London, and he insisted I sit in one of four seats in the theater for the best view or not watch the film.
A lot of cinematic influences on 'Descender' - Kubrick for sure. '2001: A Space Odyssey' is my favorite movie. It has been since I was 12. I just love that film.
I always thought it would be good to do a psychedelic movie like '2001: A Space Odyssey.'
In the future, search engines should be as useful as HAL in the movie 2001: A Space Odyssey-but hopefully they won't kill people.
I'm going to remember this, I told myself sternly. I'm going to remember how awful they made me feel today. So when I'm scared and alone and whatever else is going to happen to me starts to happen, I'm going to remember that nothing about be as bad as being stuck here.Nothing.
'2001: A Space Odyssey' is a movie that really impressed me as a teenager. And also 'Blade Runner.' And 'Close Encounters of the Third Kind' is also one of my favorites. I'm always looking for sci-fi material, and it's difficult to find original and strong material that's not just about weaponry.
Back in the Seventies, we had a romantic, poetic vision of the future, like it was in the movie '2001: A Space Odyssey.' It felt as if everything was still ahead of us.
In 1969 I was 16, and for me anything was possible. '2001: A Space Odyssey' was in theaters. Man's future in space seemed limitless, and here on TV to punctuate it all were men walking on the moon.
2001: A Space Odyssey was a wonderful conundrum when I was a boy, with its giant concepts thrown across the giant screen at Indian Hills Theater. That movie woke me up in ways that I hadn't imagined, and I went searching for book versions of the same drug.
I think "Avatar" is kind of a unique category where people are enjoying the unique theatrical experience even though they may have seen it on the small screen. They want to have that immersive, transportive experience. "2001: A Space Odyssey" played for three years at the Loews cinema in Toronto. I remember that. It just kept playing. People wanted to return to that experience. That may not be the best example because I think "2001" took 25 years to break even.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
I remember saying to someone when I got one of those ‘don’t do it’ [comments] – I just remember hearing my voice being calm and saying, ‘No, it’s going happen. It’s going to happen. I’m just letting you know.’
I remember getting into the plane, and I was kind of fearful. I didn't know why. I just felt like something was going to happen, and we landed and I thought that was interesting because I was just thinking we were going to crash. I just remember my feet touching the ground, and that's all I remember.
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
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