A Quote by Brian Bird
I've always felt very convicted that I didn't want to work in kind of the Christian film-making ghetto. My calling was always to show myself approved and worthy to work at the highest level possible in terms of craft and working with very gifted people and trying to be excellent in everything.
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I feel responsible that everyone has a really wonderful experience and to do the best work possible, and to always know my lines and to always be on time and to bring a level to the show in terms of quality that other people will follow.
The first time I had work in a public space it felt very strange to see people that I didn't know looking and, and presumably commenting on, my work. Nowadays, I'm a bit more fatalistic - they either like the work or they don't and there's not a lot I can do about that. The trick seems to be not to get too pissed on open nights so that I can answer any questions without making a fool of myself. Doesn't always work!
You always want to play at the highest level possible and make the most of your career, and I felt like I did everything I could.
I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in progress.
I come from theater, originally, and I've worked in many theaters where you make no money, whatsoever. If you got 3,000 people to see your production, it was great. So, I'm always about the work and I always want to strive for making the best story possible. I don't get hung up on trying to compare myself.
I really wasn't equipped to be a writer when I left Oxford. But then I set out to learn. I've always had the highest regard for the craft. I've always felt it was work.
I'm just like you - I want to be a good human being. I'm doing my best, and I'm working at it. And I'm trying to be a Christian. I'm always amazed when people walk up to me and say, 'I'm a Christian.' I always think, 'Already? You've already got it?' I'm working at it. And at my age, I'll still be working at it at 96.
For younger athletes - women, especially, if it's a male-dominated sport - I'd say be very careful to just be true to yourself. I spent a lot of time trying to emulate how a male wrestler was. They're tough, they're very confident, they don't show a lot of emotion, and they push through everything. That's not me at all. I'm a wrestler but I have emotions, I'm sensitive. When I stopped trying to be something that I wasn't, I felt like I was freeing myself up to find ways to make it work for myself.
I am very excited to work with people who have a strong vision of what they want. They're trying to tell a story, and they want to use me. I'm there to facilitate that. I really like that. I'm like, "Tell me where your frame is. Tell me what you want, what kind of story you want, and I will facilitate it." That's sort of my job, and it makes my work better when I'm working in that kind of a frame, and hopefully it's their work. It's incredibly collaborative, in the sense that you're working toward a common goal.
I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.
I didn't worry about it because I kind of felt I left a good message and memory with the people in terms of my work, and I always felt with a good record, I could always come back.
I enjoy my work. The reason I worked so hard all my life is because I want to be making big decisions and managing at the very highest level.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.
I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
I get very competitive with myself and always look to better myself from my previous projects. I have learned that it's important to work on the craft than the project.
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