A Quote by Brian Boitano

When a skater steps on the ice to compete, the nerves, the tension, and sheer suspense of that moment make for great drama. — © Brian Boitano
When a skater steps on the ice to compete, the nerves, the tension, and sheer suspense of that moment make for great drama.
A figure skater is not just a figure skater who does great jumps. He is an artist on ice.
Tension is all about, 'Why is this taking so long?' The interesting thing about that is that it's also the tension of comedy. The tension of drama and comedy is similar, and that's why usually you can get a big laugh in a really tense moment because people need that release.
One key to the distinction between mystery and suspense writing involves the relative positions of hero and reader. In the ideal mystery novel, the readers is two steps behind the detective.... The ideal suspense reader, on the other hand, is two steps ahead of the hero.
I think the most important part of storytelling is tension. It's the constant tension of suspense that in a sense mirrors life, because nobody knows what's going to happen three hours from now.
We always have the movies that are more toward real life, but they don't have that much drama or suspense, or we have the full of drama or suspense, but they're far away from real life. Always when I was watching a film, films with good drama, I was thinking, "I wish they were more close to real life." But when I was watching real life films I was thinking, "Well I wish it had more drama." I've tried, in the movies that I worked so far, to get these two things closer and closer to each other.
I used to make up stuff in my bio all the time, that I used to be a professional ice-skater and stuff like that. I found it so inspirational. Why not make myself cooler than I am?
There's a tricky tone where you try to get some humor into a movie that's also a tough tale of murder and revenge. You have to ice skate rather carefully between the humor and the action tension part of the drama.
I'm an ice skater. I'm all about the glitter.
I'm reaching for emotion and drama, the drama of the everyday: what happens when you don't have shelter, food, and clothing. There are some stakes. If you're displaced or evicted, there's a suspense: How will you solve that?
Music is fun, but I'm an ice skater. I may sing songs and do shows, make movies and other things... that's all well and good and I enjoy it, and I would never trade any of those for anything. But figure skating is who I am.
I'm a big fan of suspense and tension filmmaking, and that was my goal with 'The Conjuring.'
Feeling a few nerves is necessary and positive. That tension is a good thing: it's a sign that you're doing something you like, that you're passionate about, and about which you have a great sense of responsibility and respect for.
I like the idea of building the suspense and taking it all the way up to the very last second with the suspense, and right when you think you can't take it anymore, then you come in with the joke and kind of break the tension. To me, that's the best kind of film. I like thrillers, so thrillers with comedy, to me, is always the best.
If you can have a great story that people can follow the mystery and get the suspense, and then you have those moments of tension and a splash of visual fun, then you kind of get everything. You get your money's worth.
Sound design is always critical, especially when you're doing a thriller with a lot of suspense and tension.
Every time I compete, I still get nervous. There are the nerves that are because 'oh this is really going to hurt,' then there's the, 'I have to go fast and I don't know how fast everyone else is going to go,' nerves.
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