A Quote by Brian Chippendale

I hope to incorporate more variety of beats, more syncopation. It becomes very easy to play straight beats; straight rock is alluring. — © Brian Chippendale
I hope to incorporate more variety of beats, more syncopation. It becomes very easy to play straight beats; straight rock is alluring.
As the palm-tree standeth so straight and so tall, The more the hail beats, and the more the rains fall.
The simplest beats, on what rock music or any music has been formed on, can be the toughest beats to execute and perform, because it's really easy to not respect a simple 4/4 beat, because people always want to play fast.
Let The Rock understand this, he beats your ass in cage match last week and now your the number 1 contender? Well The Rock knows exactly why that is; you've got a three foot nose you turn it sideways and stick it straight up Vince's ass!
All syncopation means is accenting beats that you don't normally accent.
In '96, I was in a very specific place with my own music - I was only listening to beats. You would come to my house, and I would just play beats all day.
A silly comedy needs a straight guy, and that guy needs to be as straight as possible. The moment you start playing straight you're not straight anymore, you're bent straight, so it really requires the usual serious, straight-forward analysis and research, looking into it and finding the dramatic function, all of what you do until you feel you've collected enough points to safely and securely play the part.
Different identity groups hold specific levels of power over others when their battles play out in the media. To wit: Black beats white. Gay beats white. Black beats gay.
I definitely feel excited to be able to put really hard beats - like hip-hop beats - behind my music, more than I did before.
The axe is fifteen pounds. You have to make sure you don't hurt or hit someone. And hit the beats, because they have five cameras. It has to look real. That in itself becomes challenging because you have to learn it straight away.
I would get out of school and go straight to my computer to create beats.
When I was first introduced to the music business, I learned how to make beats. All my friends rapped, but nobody made beats. So since I didn't do either at the time, I thought it would make more sense and I would be more valuable to the team as the in house producer.
How can you build a relationship when you're just sending out beats? Most people will come in and play their beats, but I like to make mine on the spot.
Future's the guy, like, where, if I send him some beats while he on the road, and there's a pack of beats that he really like, if there's a new vibe or new wave, he's like, 'Man, keep feeding me more. Feed me more of this every day.'
I don't shop beats. That was never my method coming up. I think it's very strange to have a CD of 30 or 40 beats and then just pick one.
All the music we've done with Daft Punk has got a wider, more diverse style; it has rock in it but it's really full of special electronic beats... It's not just rock so the music is different.
I don't play beats. I hate playing beats. I'm an orchestration drummer. I'm a musical drummer.
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