A Quote by Brian Cox
There's so much light in Broughty Ferry. I think the humour in Glasgow is darker, because it's much more gloomy, there's a perpetual misery there.
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A few years ago, if you had told me I'd be moving back to Glasgow I'd have said, 'No way'. But it's changed. It's much more vibrant, bohemian. But I'm 35 and I've become a bit of a homebody, I don't really go out much. Same in New York. My home could be anywhere but I love Glasgow.
I think the time has changed. Because of 9/11, because of the economy, it is more and more now. There is a darker awareness, although it would seem to reason that because life is so much tougher now people would seek entertainment to just totally escape.
I'd definitely say I end up being more attracted to darker roles. Probably because I like darker movies and plus, just as an actor, I think it's always more fun to play the darker roles where you get to stretch your arms a little bit more. It's like therapeutic.
The British have turned their sense of humour into a national virtue. It is odd, because through much of history, humour has been considered cheap, and laughter something for the lower orders. But British aristocrats didn't care a damn about what people thought of them, so they made humour acceptable.
I don't see [the jungle] so much erotic. I see it more full of obscenity. It's just - Nature here is vile and base. I wouldn't see anything erotical here. I would see fornication and asphyxiation and choking and fighting for survival and growing and just rotting away. Of course, there's a lot of misery. But it is the same misery that is all around us. The trees here are in misery, and the birds are in misery. I don't think they sing. They just screech in pain.
When things get dark, they're going to get darker, and at that very moment, that's when you hang on that much tighter because that's when salvation and light come.
I feel American comedy is a little too light. World cinema, and Latin cinema, is much more comfortable with darker emotions.
Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.
And perhaps you thought, "Because I'm doing so much spiritual work, I'm only going to attract angels." No! The more spiritual work you do, the more darkness you attract. Because the light don't need more light. The darkness needs light! The light doesn't need more light.
Mirrors have come to mean much more than the original 'looking glass.' They are now a part of the decorative scheme of a modern home. By using them, there are no dark, gloomy corners, no drab caverns for halls. There can be a feeling of freedom, light, air, space.
It's so much darker when a light goes out than it would have been if it had never shone.
I think middle America has changed very, very much. I think people are way more open-minded. I think - I think it's because the Internet. I think they're exposed to so much. All the men talked about how much they love their wife, which I don't hear all the time in art communities.
We have to rethink the way we light our cities. We have to think again about light as a default solution. Why are all these motorways permanently lit? Is it really needed? Can we maybe be much more selective and create better environments that also benefit from darkness? Can we be more gentle with light?
You can keep counting forever. The answer is infinity. But, quite frankly, I don't think I ever liked it. I always found something repulsive about it. I prefer finite mathematics much more than infinite mathematics. I think that it is much more natural, much more appealing and the theory is much more beautiful. It is very concrete. It is something that you can touch and something you can feel and something to relate to. Infinity mathematics, to me, is something that is meaningless, because it is abstract nonsense.
The Milkoviches are a much more extreme, much darker version of what the Gallaghers could be. The Gallaghers don't have a violent, sexually abusive, bigoted gangster for a father.
Light in the heart has an interesting phenomenon. When you look at this world from here, now, light has shadows because light comes from a source. But, the same light inside the heart, which I've spent so much time looking at and so have other people, has no shadow because the light appears to come from everywhere.
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