A Quote by Brian d'Arcy James

I've always wanted to give 'Hamlet' a shot. It's the big one, you know. I haven't done Shakespeare professionally, so I think it would be terrifying. — © Brian d'Arcy James
I've always wanted to give 'Hamlet' a shot. It's the big one, you know. I haven't done Shakespeare professionally, so I think it would be terrifying.
It took a while to decide I wanted to do Hamlet. It wasn't that I was daunted - I'd been acting professionally since my mid-20s and had some pretty big Shakespearean roles under my belt by that stage, at 32: Petruchio in 'The Taming of the Shrew,' Edgar in 'King Lear,' Antony, Richard III. But when it came to Hamlet, I hesitated.
And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story.
I'm a big lover of Shakespeare. In fact, the only plays that I've ever done professionally in New York have been Shakespearian.
Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince.
The reason that I'm a writer today is because of Shakespeare and falling in love with Shakespeare when I was 8. That was through the movies, actually - through Olivier's 'Hamlet.' That was the first thing that got me to fall in love with Shakespeare and movies and everything in one big preadolescent rush.
I have an aunt who believed strongly that teaching kids that Shakespeare is 'hard' is wrong, so she handed me 'Hamlet' when I was in kindergarten to see what would happen. What happened was I did a book report on 'Hamlet' and caused quite a lot of trouble!
Most people don't know that I am an accomplished dramatic actor... But I've performed in several Shakespeare productions including Hamlet, except in this version, Hamlet lives in an apartment with two women, and has to pretend he's gay so that the landlord won't evict him.
Well, number one I like dancing. Number two I knew it would be challenging because I had never done this type of dance before. I always wanted to and I happened to have the courage to go out there and give it my best shot.
The most I've ever done was twenty-something, but that's wasn't because I wanted to. I feel like to me it's usually somewhere between two and- no, it's very hard to say because it really depends up on the shot, you know? If it's a complicated master shot and you know that this is the only thing that you're doing for that scene, a complicated one-er, you're going to maybe end up doing a few more takes than you normally would. But I'm not a big believer in doing tons and tons and tons of takes.
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
I'm male gigolo. Professionally? I don't think I've ever done anything professionally.
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
Shakespeare's always been sitting on my back, since I began reading. And, certainly, as a writer, he's who I hear all the time. And he's almost indistinguishable now from the English language. I have no sense of what Shakespeare is like. I have no sense of the personality that is Shakespeare. I think, alone among writers, I don't know who he is.
The thing that I had saved up for myself and wanted most to bring off was a fully fledged professional production of Hamlet at the Royal Shakespeare Theater in Stratford.
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