A Quote by Brian D. McLaren
Seventh-Gay Adventists isn't just a helpful movie, important for the way it can help congregations of any denomination deal graciously and truthfully with the issue of homosexuality. It's also a beautifully-filmed and artfully-conceived movie. It does what the best art does - it 'humanizes the other.' You should see it, and when you do, you'll encourage others to see it as well.
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If you talk about race, it does not make you a racist. If you see distinctions between the genders, it does not make you a sexist. If you think critically about a denomination, it does not make you anti-religion. If you accept but don't celebrate homosexuality, it does not make you a homophobe.
It's basically how I choose movie roles. Would I like to see this movie? Is this movie important? Why would I do this? And Headhunters is a movie that I would like to see in the cinema. And when it's sold to 50 countries or whatever, for me it's a great deal. I make movies for an audience so if that audience grows, I feel really honoured and thankful for it.
I like films about people who figured out what they believed and had the guts to act on it in a way that added value to others. So, there are lots of movies that have characters who did that. I'll pick an odd one - Stranger Than Fiction because I really liked the movie - particularly the offbeat cookie maker. You'll have to see the movie to see what I mean. The movie also reinforces that you can be the author of your own script.
The experience of making a movie, you start to see it everywhere. It's just this amazing mechanism that your brain does because it just so badly wants to be helpful and keep all the information that you need as accessible as possible.
If I like a movie, I'm definitely advocating for it, but it's not "you should see this" or "you shouldn't see this." I try to take a longer view about what the movie is doing and where it fits in the context of other things, in the way that certain good literary criticism tries to do the same thing.
I just like surprising people. I never want to get to a place where people see that I am in a movie and they go see the movie and they expect a certain performance one way or the other. That is just inherently boring to me.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
Nobody sees the same movie. I'm sure there are people who saw Butch Cassidy and the Sundance Kid and thought "Finally a gay movie about men who really care about each other. Thank God!" That's not what I saw necessarily but I don't think any two people see the same movie.
Movies aren't "slow burn," and aren't serious, aren't interesting, because everything from the movie to the promotional materials is telling you that you have to see it between Friday and Sunday, and then you can forget about it. It's not an important movie, it's just a lowest-common-denominator thrill-ride for three days when you've got nothing to do. That does a major disservice to the quality of the films
But I don't just see the movie when I see the movie, I see all the great people who worked on it and all their hard work, because they could not have worked any harder.
To make a movie, and we can call it a movie or we can call it a piece of art, to make a movie that has that much mass appeal what it is? What is it that makes kids in China want to see that movie [ 'Avatar'] and makes my dad want to see that movie.
John Logan was kind of wrapping up - "Well, thanks for coming in..." - and I thought, "Oh, God, this is over and I'm out of here, and I really don't want to leave."So I said, "Can I ask you a question?" He said, "Sure." "What movie do you think you've seen more than any other movie?" And he said, "Wow, let me think about that. I guess probably The Searchers." And I said, "Well, oddly, that's the movie I've seen more than any other movie." And I wasn't just BS-ing. It's true. It's my favorite movie.
Every time I read a script, I see the movie in my head, and I try to see the best movie in my head because everybody interprets the movie differently.
I wanted people to know that I'm not just a guy who does weird videos on the Internet. I actually am a filmmaker, and I can tell stories, and I can create something that's 90 minutes long that feels just like any other movie you see in the theater, and hopefully enjoy.
Those who see what's obvious aren't necessarily brighter than others. They're just more likely to observe that the emperor is naked. Like children, they see what's actually there. Their perceptions are less clouded by belief systems, taboos, habits of thought. One responsibility of management--an important one--is to call attention to the invisible obvious, pointing it out as a child does (sometimes to the embarrassment of adults). Doing so also requires supporting employees who take that risk, too, and other risks as well.
Tommy Nohilly, who plays Tubby [ Valley of Violence], he came down to see the movie for the first time and I was like, "You've got to come just to see people react to your [big scene]." I knew that would go well, but it's satisfying to me when he's sitting there and it actually does.
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