A Quote by Brian Dunkleman

I do standup every week in L.A. at the Laugh Factory and the Improv. — © Brian Dunkleman
I do standup every week in L.A. at the Laugh Factory and the Improv.
If you're at the Comedy Store or the Laugh Factory or the Improv, even two minutes helps. You never know who might be in the audience.
I know now for a fact that improv can't hold a candle to doing standup. It's not the same buzz, it just isn't. It feels infantile to me at times. When you see guys who do it really well, great. But improv needs a rewrite.
I like doing live things and plays. You can perfect the laugh or extend the laugh, you can get them on a roll. Versus improv, which I hate. Put it all together. They're more vignettes. Improv makes me slightly anxious because I feel for them.
I come from standup and improv.
I graduated from Improv Olympic. I used to do standup comedy.
We come from a live background of sketch improv and standup.
One week you may be an actor, and the next week you had to be nimble enough to be a TV host. And the week after that, you might have to do some stand-up or be in an improv company or write and sing a song somewhere.
I feel like most standup comedians do it the way I did it, where you just go to open mics and cut your teeth. Sketch and improv - they take a lot of classes. It's not unusual, the way I did it. It's just that, with standup, no one knows how to start because there's no book for it; there's no place you can really go.
I know how to make an audience laugh, 'cause I grew up on Third Rock from the Sun, week after week in front of audiences, making them laugh.
Improv requires your audience to be informed about what improv is. With stand-up, anybody can sit down and watch stand-up and laugh at jokes.
I did standup for a lot of years, too, but when you come out as a standup, you get the feeling from a crowd - it's a kind of a 'make me laugh' attitude. But when you come out as an improvisor, they realize that they're suggesting everything you do. So they're already invested in the scene, and they actually want it to work.
If you're going to be a good standup, or a successful standup, or a standup who can work for money, you have to eliminate the possibility of dying quickly.
'Dinner' is completely scripted. There are some improv elements, but I'm not interested in pranking people. It's more like a play than standup.
I absolutely loved improv! I felt very much at home being onstage. It freed me to be all sorts of people other than myself. It was an escape from myself, if you will. I still love that creative freedom of improv and making people laugh.
The first laugh is always key. I've done some improv stuff. Once you get your first laugh, you're good. Up until that point, it's a little nerve-racking.
Black people who want to do comedy go into standup, where our heroes opened a lot of doors. Improv doesn't have a ton of heroes that you can look to.
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