A Quote by Brian Eno

Ambient music is intended to induce calm and a space to think. — © Brian Eno
Ambient music is intended to induce calm and a space to think.
In England and Europe, we have this huge music called ambient - ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
Ambient means the natural center or atmosphere of a space. All music has that in it- a space or center. I think it just means the atmosphere or what defines the environment of sound and maybe removing the more destructive, harsh elements and harder rhythmic elements and you get down to the stillness that's inherent. There's an ambient quality in every sound. You may have to enhance that to hear it or bring it out in a different way but there is that in every environmental sound.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
For me space rock is something that takes you out of yourself and out of your normal realm. And if space happens to be that inner space or outer space it's a very personal thing. I think that mantra is space music. I think that Native American tribal drumming is space music. Anything that allows you to go inward to go outward and to move within a space that is not normal to your reality.
I think early on I was really into ambient music and like American original Emo.
Fundamentally, if there is any secret, it is about the need to find that peace and calm in our personal space with music, as most of 'learning music' is about listening to music and practicing over and over again.
I like listening to ambient music, especially in very scenic places because I think it allows for the most freedom of thought.
Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.
When I started working on ambient music, my idea was to make music that was more like painting.
If I don't already know a song's chord progression, I'll stop writing and try to figure it out. I can occasionally listen to unstructured, amelodic ambient music, but I prefer no music. I don't need silence - I can write just about anywhere - but music is a major distraction.
In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.
Ambient music must be as ignorable as it is interesting.
I'm a fan of FKA Twigs, The Weeknd. I love that kind of ambient R&B. I feel like it's just another soldier in the war to blur the lines and make things to where it's good music and bad music.
I'm thinking of the audience as being ambient, meaning not sitting focused but being in the space and exploring it while listening to the players.
With 'Minecraft,' I've started creating serene ambiance music. As the game went on to become famous, people started identifying me as the ambient music person, which I never actually thought I was.
Music is a universal language. You don't have to worry about what is being conveyed. You don't have to try to figure out what could be lost in translation. It goes directly to the pit of your soul. I think that's what music was intended to do.
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