A Quote by Brian Eno
One way of working is just bring a group of totally different musicians together and encourage them to stick to their guns, not to do the thing that normally happens in a working situation where everyone homogenizes and concedes certain points - so eventually they're all playing in roughly the same style. I wanted quite the opposite of that. I wanted them to accent their styles, so that they pulled away. So there would be a kind of space in the middle where I could operate, and attempt to make these things coalesce in some way. In fact quite a lot of my stuff has arisen from that.
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I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.
My styles range quite a bit. I go for an all-around kind of fan. Never wanted to be the dude that could do one thing. I wanted to be the guy that could hang with anybody.
The way so many musicians slavishly imitated Coltrane, that's the way it was with Charlie Parker - only even more so, if that can be imagined. Everyone that I knew changed totally. But they took the worst things of his playing-that harsh sound; it just didn't come off the way they did it. The way he did it was great, Their way wasn't good at all. I just would listen to 'em, say: 'That's a Bird imitator', and that would be it; I would never care to listen to them again.
What happens in the studio is technically the same thing that happens on the stage. In the past I had to make quite brutal adaptations of the material to make it work on stage. I don't always like doing that because sometimes you're shaving away the things that you actually quite like about them, the spontaneity of it.
When I started to write 'Crazy Thing Called Love,' I wanted a conflict that would not only bring Billy and Maddy together in terms of proximity and give them a common goal but that would also drive a wedge between them. And nothing fit the bill quite like the arrival of some children.
Everyone needs some trial and error figuring out how it's gonna work for them. I could have gotten that out of the way a little sooner but I think you're totally right, the way I kind of think about things and the way I wanted to put myself out there doesn't fit the traditional side of things. I needed things like podcasts and YouTube and things that allow you to get it out there yourself and stand in the flames.
I've been working with a lot of girl power organizations this year. I have so many incredible women in my life that I'm supported by, and I wanted to shine a light on them and encourage other women and girls to do the same. We're often encouraged by the media to compete with one another, to bring each other down, or to feel small when seeing the success of someone else, and I just wanted to flip that script and challenge us to do the opposite. Instead, feel inspired and ignited by someone else's success.
Any working cartoonist will tell you this, anybody who's working in a creative field: at some point, it's a job. You have deadlines. I think, for over a year, I refused to make them for publications, because I only wanted to make them when I wanted to make them. But at some point, I was like, "This is crazy, you have an opportunity to be a professional cartoonist.
Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way--through the senses, theoretically, technically. I would talk to Monk about musical problems, and he would sit at the piano and show me the answers just by playing them. I could watch him play and find out the things I wanted to know. Also, I could see a lot of things that I didn't know about at all.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.
When we signed with Warner Bros., they knew what they were getting. They knew they weren't going to get some easily manipulated prepackaged pop group. That was not going to happen. What they wanted, I think, was the integrity that we had to offer. What they wanted was the kind of street cred or cache that R.E.M. could bring to them and the chance that we would give them a hit or two. What happened was we gave them a bunch of hits. And we became huge.
When a movie is being rolled out, the studio publicists and all our individual publicists get together and come up with bullet points and talking points - 'Make sure you stay away from this,' and 'Don't say that quite that way, because that quote can be taken out of context,' and that kind of thing.
I just think that there's so much judgment in the world, whether it's coming from women in general or from men onto women - it's a lot. And when it comes to being a mom, I wish everyone could band together and realize that everyone has different beliefs, different styles, and different things that work them and their family.
I just think that there's so much judgment in the world, whether it's coming from women in general or from men onto women - it's a lot. And when it comes to being a mom, I wish everyone could band together and realize that everyone has different beliefs, different styles, and different things that work for them and their family.
I believe I can bring a lot because I am totally different to a lot of people in the Premier League. That is the way I have seen it and I will continue to keep plugging away and working hard.
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