A Quote by Brian Eno

W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you. — © Brian Eno
W]hat makes a work of art ‘good’ for you is not something that is already ‘inside’ it, but something that happens inside you.
Stop thinking about art works as objects, and start thinking about them as triggers for experiences... That solves a lot of problems ... Art is something that happens, a process, not a quality, and all sorts of things can make it happen ... [W]hat makes a work of art 'good' for you is not something that is already 'inside' it, but something that happens inside you.
Art is something that happens inside us. We look at things in the world, and we become excited by them. We understand our own possibilities of becoming. And that's what art is.
art happens. It happens when you have the craft and the vocation and are waiting for something else, something extra, or maybe not waiting; in any case it happens. It's the extra rabbit coming out of the hat, the one you didn't put there.
It's not like I'm looking to describe something that's only true of my own circumstances. It's beyond. It's way inside, you know. It's reaching inside to something that you have in common with many.
With good art, that's what happens - it comes directly out from inside of you almost instinctively.
Champions know that there's something inside that makes a champion, and other people think that it might something external.
The truth I know for sure is that if something feels good and makes you happy on the inside, you're probably moving in the right direction.
Being a physical specimen doesn't mean you're any good at playing inside. Positioning, using your head, the mental stuff - that's my game. That's what makes a good inside player.
Close your senses and the imagination comes alive. It's inside us all, dulled by endless television reruns and by a society that reins in fantasy as something not to be trusted, something to be purged. But it's in there, deep inside, a spark waiting to set a touch-paper alight.
As I see it, you are living with something that you keep hidden deep inside. Something heavy. I felt it from the first time I met you. You have a strong gaze, as if you have made up your mind about something. To tell you the truth, I myself carry such things around inside. Heavy things. That is how I can see it in you.
What really happens is that the story-maker proves a successful 'sub-creator'. He makes a Secondary World which your mind can enter. Inside it, what he relates is 'true': it accords with the laws of that world. You therefore believe it, while you are, as it were, inside. The moment disbelief arises, the spell is broken; the magic, or rather art, has failed. You are then out in the Primary World again, looking at the little abortive Secondary World from outside.
There's something that just happens to you when you have a baby, and you look at their little eyes for the first time when you're holding them. They've been safe inside your belly for almost 10 months, and now they're in your arms. Intuition kicks in, where you will do anything for them and you have all the tools inside of you to take care of them.
When I'm on stage, my interaction with the audience is something that really makes me come alive. It's a feeling like no other. The energy of the crowd fuels something new inside.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I can't talk about my singing; I'm inside it. How can you describe something you're inside of?
I can't talk about my singing. I'm inside it. How can you describe something you're inside of?
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