A Quote by Brian Eno
We're going through this super-uptight era, which I think comes entirely from literacy, actually. It's the result of machines that were designed as word processors being used for making music.
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Most writers I know have switched to word processors. I haven't but I'm very curious about why people like it so much. I think it has something to do with the fact that at last writing, which has been such an old-fashioned, artisanal activity, even on a typewriter, has now entered the central domain of modern experience which is that of making copies, being involved in the world of duplicates and machine-mediated activities.
I think that the artificial-intelligence people are making a lot of noise recently, claiming that artificial intelligence is making huge progress and we're going to be outstripped by the machines. But, in my view, this whole field is based on a misconception. I think the brain is analog, whereas the machines are digital. They really are different. So I think that what the machines can do, of course, is wonderful, but it's not the same as what the brain can do.
Many were starting to use computerized synthesizers & drum machines to produce an entirely new style of music. It was being punted by the critics that the guitar was old hat; I was reminded of the way my father & his clarinets were written off in the late Fifties.
Late twentieth-century machines have made thoroughly ambiguous the difference between natural and artificial, mind and body, self-developing and externally designed, and many other distinctions that used to apply to organisms and machines. Our machines are disturbingly lively, and we ourselves frighteningly inert.
I think we're approaching an era where there's a consistent dialogue going on between artists and consumers. And I think that's going to be part of the solution to actually selling music.
I actually think that Republican administrations are better for music. The Reagan era was such a great era for punk and indie rock.
I think visual literacy and media literacy is not without value, but I think plain old-fashioned text literacy and mathematical literacy are much more powerful and flexible ways to organize your mind.
I actually started making beats first and that was before 2010. I think I was like 14. They were really bad. I used to sample like Arabic music for some reason.
I think it is valuable to be poked at and I think - and this is obviously where things are headed. It's going to be much harder to be a Christian in America ... which means to be a Christian you actually have to think it's worth it. You actually have to think it through, you actually have to process it.
I had invented my own system, my own way of making electronic music at the San Francisco Tape Music Centre, and I was using what is now referred to as a classical electronic music studio, consisting of tube oscillators and patch bays. There were no mixers or synthesizers. So I managed to figure out how to make the oscillators sing. I used a tape delay system using two tape recorders and stringing the tape between the two tape machines and being able to configure the tracks coming back in different ways.
I think the Ambitious Lovers never got their due- we had terrible management and at that point, we were on major labels and we didn't have any music business savvy which we could have used. We made a series of hilarious mistakes not in terms of music but in terms of making it happen.
I have been motivated by this idea since I was a kid that if we invented machines that were created in the way that people are - were aware, have free will, inventive machines, machines that would be geniuses - potentially, they could reinvent themselves. They're not just applying it to other things - they could actually redesign themselves.
Hiking - I don't like either the word or the thing. People ought to saunter in the mountains - not hike! Do you know the origin of that word 'saunter?' It's a beautiful word. Away back in the Middle Ages people used to go on pilgrimages to the Holy Land, and when people in the villages through which they passed asked where they were going, they would reply, "A la sainte terre,' 'To the Holy Land.' And so they became known as sainte-terre-ers or saunterers. Now these mountains are our Holy Land, and we ought to saunter through them reverently, not 'hike' through them."
I think we give Jimmy Carter too much credit to think he knew what was going to happen when he used the word "apartheid." It's provocative, but it was like a nuclear bomb in Israel. And yet that word is used all the time in the Israeli press. There's a double standard there. He probably picked it up in Israel, as it's commonly discussed. I'd be a little surprised if he understood how it was going to be used against him. He doesn't have a highly developed emotional detector. As a politician, that was a weakness.
What I've learned about that word is context, where the world is coming from - in the era the film is set, it obviously is used derogatorily. In 'Selma,' it was the same sort of thing. Of course now, in music, it's used in many more ways, including ways that takes the sting out of it. It all depends on where and when it is used, and how you look at it. But again in 'Race,' it is intensely disrespectful.
I've tried word processors, but I think I'm too old a dog to use one.
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