A Quote by Brian Eno

Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them. — © Brian Eno
Cultural objects have no notable identity outside of that which we confer upon them. Their value is entirely a product of the interaction that we have with them.
It has long been known to me that certain objects want you as much as you want them. These are the ones that become important, the objects that you hold dear. The others fade from your life entirely. You wanted them, but they did not want you in return.
The identity of just one thing, the "clash of civilization" view that you're a Muslim or a Hindu or a Buddhist or a Christian, I think that's such a limited way of seeing humanity, and schools have the opportunity to bring out the fact that we have hundreds of identities. We have our national identity. We have our cultural identity, linguistic identity, religious identity. Yes, cultural identity, professional identity, all kinds of ways.
The product has to work. It has to be a good product. An enormous number of them are all hype with no value at all. People get into them because they want to make a lot of quick, easy money.
In any case, once you're dealing on a nonverbal level, ambiguity is unavoidable. But it's the ambiguity of all art, of a fine piece of music or a painting - you don't need written instructions by the composer or painter accompanying such works to 'explain' them. “Explaining” them contributes nothing but a superficial 'cultural' value which has no value except for critics and teachers who have to earn a living.
A powerful tool in the early stages of developing scenarios is to pretend the interface is magic. If your persona has goals and the product has magical powers to meet them, how simple could the interaction be? This kind of thinking is useful to help designers look outside the box.
it is all the question of identity. ... As long as the outside does not put a value on you it remains outside but when it does put a value on you then it gets inside or rather if the outside puts a value on you then all your inside gets to be outside.
A thinking that approaches it objects openly, rigorously ... is also free toward its objects in the sense that it refuses to have rules prescribed to it by organized knowledge. It ... rends the veil with which society conceals them, and perceives them anew.
I maintain that the expression of junk and objects has an intrinsic value, and I see no need to look for aesthetic forms in them and to adapt them to the colors of the palette.
Notable American Women is an enchanting and moving novel. Like Italo Calvino and Lewis Carrol, Ben Marcus reconfigures the world that we might see ourselves in a cultural and moral landscape that is disturbingly familiar, yet entirely new. As though granted a new beginning, Marcus renames the creatures of our world, questions who we are and who, as men and women, we might be. Notable American Women is a wonder book, pleasurable and provocative.
You have to have honesty to the product. You have to meet consumer expectations. You give them value for their money and give them a product that they need. I don't see anything wrong with all these things. And I don't think it's a bad thing to meet consumers' expectations.
Gold and silver, like other commodities, have an intrinsic value, which is not arbitrary, but is dependent on their scarcity, the quantity of labour bestowed in procuring them, and the value of the capital employed in the mines which produce them.
Have you ever seen any member of radiohead aside from me in public? Do they interact or 'lift' objects? Holograms, all of them. I created them in 1991 using my massive brainpower. Even pitchforkmedia is a product of my brilliant imagination.
We encourage people to believe that there is only one identity, one role, one way for them to be, one value for them to fulfill, rather than a host of possible 'incarnations' to be lived in a lifetime.
Perception without the perceiver in meditation is to commune with the height and depth of the immense. This perception is entirely different from seeing an object without an observer, because in the perception of meditation there is no object and therefore no experience. can, however, take place when the eyes are open and one is surrounded by objects of every kind. But then these objects have no importance at all. One sees them but there is no process of recognition, which means there is no experiencing.
Quality in a product or service is not what the supplier puts in. It is what the customer gets out and is willing to pay for. A product is not quality because it is hard to make and costs a lot of money, as manufacturers typically believe. This is incompetence. Customers pay only for what is of use to them and gives them value. Nothing else constitutes quality.
Riches may enable us to confer favors, but to confer them with propriety and grace requires a something that riches cannot give.
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