A Quote by Brian Eno
I think very often producers are really trying to repeat things. When they hear something in the new songs that they recognize as being a bit like something that was a success on a previous record, they're inclined to encourage that.
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Studios are often very nervous of things they don't recognize, by which I mean things that haven't been done before, and therefore, they take a really original idea, and they recognize the originality, and then they try and make it look like something they recognize. So they try to turn it into something far more procedural.
I realised that success and pure creativity are not very compatible. The more successful you become, the more you become a product of something that generates money. Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success.
I understand why some bands don't like test new songs, but for us it's been very helpful and it hasn't really backfired. I was nervous that our second record was - you know, you could hear the whole thing on YouTube before the album came out because we played it all live, but it ended up being something that people appreciated.
I don't think I'm unique or that I'm trying to do something unique, but I feel it is something I would like to hear. This kind of music I would like to listen to but I can't hear very often.
I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.
What happens is people - especially, I think, audiences in the United States - people confront new things a little bit afraid. It's like when you're a kid and your mother puts something on your plate you never ate before. I think that American audiences are very much like that, and when they can accept something new they can accept the next new thing, it's incredible. And what happens is that their expectation of what things should be is elevated, and that's really terrific for us.
I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.
Something you hear a lot is that feminism dead. But if feminism is dead, why do people try so hard to kill it? Something just isn't making sense there. So I think when young women hear like, hey, someone's trying to get something over on me, you know, someone's trying to deliberately keep me away from a movement that could make my life better, I think that really resonates with them.
If you're stuck in a rut doing the same thing over and over again, what are you actually, really achieving? I'm someone who strives for success, for self-growth and new experiences, and to make a record that pushes me out of my comfort zone is something that's really exciting. It means you're making new decisions, you're making bold decisions, you're being scared, and you're getting through that - hopefully making something you're proud of, or being in a better position that makes you feel stronger as a human being.
One of the many characteristics of the new is that, at first, it's very hard to recognize it for what it is. We're lucky if we recognize something as being new when it first appears. Usually I think we don't have that privilege. It's usually after the fact that we suddenly turn around and say, 'Wow, this thing is amazing.'
I was finding it very difficult to find a label that understood what I wanted to do and really believed that people wanted to hear something honest and a little bit different. So, I did feel a bit like a clown. You're knocking on everyone's door trying to get them to believe what you're doing.
Fashion is an archetype: you're trying to build a silhouette, and that is very similar to building up a building because you're trying to create a new structure, a new proportion, a new shape, and you're using a material to cut which is a bit mathematical. That idea of finding something new in terms of proportion is something that drives me.
I just write about how I'm feeling at the time. If I feel like being cheeky and a bit straight up and a bit aggressive, you'll hear that in my music. If I feel like being very vulnerable and opening up about something personal, you'll hear that, too.
What is it that turns people into artists? It often comes from some kind of pain or angst, a need to understand or express something. It very rarely comes from confidence, being raised by parents who want to hear what you have to say and wants to encourage you.
I can't believe that people really prefer to go to the concert hall under intellectually trying, socially trying, physically trying conditions, unable to repeat something they have missed, when they can sit at home under the most comfortable and stimulating circumstances and hear it as they want to hear it. I can't imagine what would happen to literature today if one were obliged to congregate in an unpleasant hall and read novels projected on a screen.
I'd like to think that what I've written over the years and what I'm doing now means something to people. People in the street all the time are saying "love the new record" or "I love that record," this tune or that tune. It means an awful lot, or it's been a big part of their lives. As a songwriter, what else would you really want? You're trying to connect with people, people's emotions, and maybe say something about their lives or feelings. That's probably a good enough compliment to receive, really.
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