A Quote by Brian Eno
Also something that you don't have to listen to from beginning to end - you can enter at any point and leave at any point.
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If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
You're always choosing the start point and the end point. And almost by definition, the most interesting period is where something happens, as a result of which something is different at the end. And so to me, the idea that you know everything about a character at the beginning is sort of ridiculous. Something has to be revealed. I like it when the deeper you go with the character, the more you see the layers start to peel away. It's more challenging to me, but it's also just interesting. Those are the things I like to watch. I like to watch the evolutions of something.
Consider a man riding a bicycle. Whoever he is, we can say three things about him. We know he got on the bicycle and started to move. We know that at some point he will stop and get off. Most important of all, we know that if at any point between the beginning and the end of his journey he stops moving and does not get off the bicycle he will fall off it. That is a metaphor for the journey through life of any living thing, and I think of any society of living things.
When I set out to write a screenplay, I have in my mind a beginning and an end but that end part continually changes as I start to write the middle. That way by the time the screenplay is finished I have taken myself and my audience from a familiar beginning point through the story to an unfamiliar ending point.
As best as can be determined, the world is now warmer than it has been at any point in the last two millennia, and, if current trends continue, by the end of the century it will likely be hotter than at any point in the last two million years.
Working improvisationally in my studio with dancers, it's completely different. We don't have any starting point; we don't have an end point. We don't have anything we are trying to show or do. The picture evolves from nowhere.
I think when you leave a band in any situation that you are a part of.. I mean, when I was with It Bites I was a quarter of something, and when I was with Robert Plant I was a sixth of some- thing and when you leave you become the whole thing. So just after you spend time realizing what you are, and it just happened that I was doing that in my life as well as musically, it kind of happened at the same time. I was getting to a point in my life where I was beginning to realize who I am, and I like me.
What I'm slowly realizing is that I believe that most of us felt that we could relax a little bit after November 2, 2008, because of the progress and the spirit that it took to get Barack Obama in The White House. And what we didn't realize, is that was really the beginning. That was really the beginning of the struggle and not the end of a struggle, to come from colonial times through slavery, through the Jim Crowe Laws, through the civil rights period to The White House as, like a point A/point B journey. Point B of course being the end.
And she [Margaret Thatcher] also had a sort of a way, like a railroad train, of going, taking a breath and starting quite quietly and making a point in a way that you don't really know that this point is going to be made through several examples, and there will be not be a break in the speaking voice at any point.
She is also brought to a point of zero in the beginning of the story, and I think you can say that about a lot of my films in that they are often about people who are brought to the point of zero in the beginning of the film.
Every ending is arbitrary, because the end is where you write The end. A period, a dot of punctuation, a point of stasis. A pinprick in the paper: you could put your eye to it and see through, to the other side, to the beginning of something else. Or, as Tony says to her students, Time is not a solid, like wood, but a fluid, like water or the wind. It doesn't come neatly cut into even-sized length, into decades and centuries. Nevertheless, for our purposes we have to pretend it does. The end of any history is a lie in which we all agree to conspire.
But I am sure also that from a political point of view, and from a social point of view the federal link, without infringing the sovereignty of any of the nations which might take part in such as association, could be beneficial.
The internet has a way of mainstreaming everything. Any artist, any musician, any sexual kink, any political view point, it's all there.
There is no beginning and there is no end. Nothing is final. There is no absolute. There is no highest point, nor is there a lowest point. These configurations are ideas. Ideas are primitive constructs, symbolic representations, reflections in a mirror.
People say that steadiness of mind is an end; no, it is a beginning. I am there; I can explain everything up to that point. Then I struggle to discover what comes after, so this steadiness is not an end, it is the beginning and the instrument.
Perhaps it’s when you come to the realization that the point of life isn’t to be rich, or secure, or even to be loved - to be any of the things that people usually think is the point. The point of life is to live as deeply as possible, to experience fully. And that can be done in so many ways.
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