A Quote by Brian Eno
If you've spent a long time developing a skill and techniques, and now some 14 year-old upstart can get exactly the same result, you might feel a bit miffed I suppose, but that has happened forever.
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I hope that there is a very confused 14 year old girl out there who hears me speak or hears me sing and derives some sort of strength from that I heard that when I was 14 that's exactly what happened.
Someone who knew me when I was 14 said I was the oldest 14-year-old on the planet. Now I'm a 14-year-old who is 60.
Now suppose that the clue experiences that can correct the illusion become for some reason increasingly scarce – perhaps because the dominant story itself brings about their elimination! Then the illusion might go on for a very long time, might have to result in real catastrophe, before anyone realizes anything is wrong.
Every singer has three or four or five techniques, and you can force them together in different combinations. Some of the techniques you discard along the way, and pick up others. But you do need them. It's just like anything. You have to know certain things about what you're doing that other people don't know. Singing has to do with techniques and how many you use at the same time. One alone doesn't work. There's no point to going over three. But you might interchange them whenever you feel like it. It's a bit like alchemy.
There's no idea that can't be explained to a thoughtful 14-year-old. If the thoughtful 14-year-old doesn't get it, it is your fault, not the 14-year-old's.
I've never had any issues with racism or racist people at the track for as long as I've been racing in NASCAR. All of that stuff that has happened to my face took place when I was coming up. And a lot of what I get now on social media is 13- and 14-year-old kids just trying to act tough. Well, I'll call them out.
We should be writing more great roles for women, period. Another problem is that movies are generally made for 14-year-old boys, and 14-year-old boys want to watch 25-year-old action heroes.
I make no apologies for Popeye. Behind M*A*S*H, it's my biggest hit. It got maligned by the critics because it wasn't Superman. It wasn't about special effects and it wasn't made for 14-year-old boys. The majority of films are made for 14-year-old boys; I don't know where they get the eight bucks to get in. It's hush money from the parents.
It's strange because I'm a sex symbol to 14-year-old girls which I guess is not the most helpful situation to be in. But yeah, I've never really thought of it. It's just so funny. I mean, just last year I couldn't even get a date and then this year, the world turns and it's so bizarre that everybody just changes their mind at the same time.
At the time I wrote 'Forever,' I had a 14-year-old daughter, and she was reading a lot of books about young love.
When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
Sometimes you believe that you are targeting a 25-35-year-old young woman and you see that there is a crowd of 78-year-old people who are coming to buy some underwear, so it's not exactly the same kind of underwear that you have to sell.
Sami Zayn and I have had a long history. Same goes for Adrian Neville. I might not get the chance to work with them now, but Seth Rollins, Cesaro and Daniel Bryan, all those guys, we all spent a lot of time together wrestling all over the place.
Now, in the space of a year, we've spent 450 percent more for power than we did the year before, and bought essentially the same amount of power. This year, that number's likely to go up. That can't go on forever and have us continue to be the economic engine for America.
My highest compliment is when someone comes up to me to say, "My 14-year-old daughter, or my 12-year-old son read your book and loved it." I cannot conceive of a greater compliment than that - to write something that as an adult I find satisfying, but also that manages to reach a curious 13- or 14-year-old.
If you only took on roles that had the same qualities, then I suppose it might make a critic feel better, if he can see some kind of bedrock. Perhaps that's the old definition of a star, someone who's always going to come up with the same goods. But it intimates limitation to me and I don't want to think of the job like that.
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