A Quote by Brian Eno

My guitar only has five strings 'cause the top one broke and I decided not to put it back on: when I play chords I only play bar chords, and the top one always used to cut me there.
I've been used for writing rhythm guitar chords for a long time because it's so easy to play and chords just sound good on it.
I think I always thought of the guitar as the vehicle to be able to make some musical idea up. The only appeal to learning more chords was having more chords to put into songs. I never got too wrapped up in becoming technically good. So writing songs happened pretty simultaneously with learning how to play the guitar.
I like the sound of a Silvertone amp for myself. It's kind of cleaner guitar sounds when necessary, maybe a little less metal-sounding. But it really doesn't matter what amp I play through; it's really the way I voice chords and play guitar, how I strike the strings.
By adding open strings to even the simplest chords, you can create voicings that sound sophisticated, but are really easy (and fun) to play. They're practical, not intimidating, and most certainly don't sound like 'jazz chords.'
I bought one of those Learn How to Play Guitar Chords By Yourself and it shows you the diagram where to put your hands and I took that in my room, sat with my singles and learned how to play guitar.
I'm an intuitive musician. I have no real technical skills. I can only play six chords on the guitar.
It is impossible to watch a 'Friends' episode too many times. Phoebe is my favourite character. I used to play her songs on the guitar when I was a teenager. 'Smelly Cat' is very easy. It's only about three chords.
I was a big fan of Jim Hall as well. I liked his comping style, his accompanying. And that he played, generally, four note chords, the top four strings of the guitar.
The music has gotten thick. Guys give me tunes and they're full of chords. I can't play them...I think a movement in jazz is beginning away from the conventional string of chords, and a return to emphasis on melodic rather than harmonic variation. There will be fewer chords but infinite possibilities as to what to do with them.
Maybe that's what makes my stuff different, 'cause I write it all on the bass. I can't play but a few chords on the guitar, so the bass works just fine for me.
Like a Star' has a very simple melody, and when you play it, it's only about three notes for ages, and it's quite boring. But when you hear the chords, the chords are sort of different than the melody, and it's pulling it around and making it mean something else.
I write most of my songs to beats. I play around on guitar, but not enough to where I can compose my own stuff or play solos. I can accompany myself 'cause most songs are, like, four chords.
I don't write poetry and then strum some chords and then fit the words on top of the chords.
Merlin really taught me how to concentrate, that you play each play as if it were the only play. And if you put all the plays together like that, then you'll come out on top.
I only wanted to play the guitar so I could write music. As soon as I learned my first three chords I wrote my first song. It was just a tool to get me to be able to do the thing that I wanted to do.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
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