A Quote by Brian Eno
Although cover notes for classical music albums tend to say that the trill of flutes suggests mountain streams and so on, I don't think anybody listens to music with the expectation that they're going to be presented with a sort of landscape painting.
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My father was able to play a number of musical instruments and I fell in love with classical music in my teens and I allowed it to influence me. I like to think I took and still do from classical music and various techniques, I have made classical albums and recorded seven different pieces of Bach on different albums and its all music too me.
You listen to a politician making a speech, and it is like hearing nothing. Whereas, music is unmistakably music. The thing about music is that nobody listens to it unless it's real. I don't think that you can fool anybody for too long in music. And you certainly can't fool everybody.
I listen to music when I write. I need the musical background. Classical music. I'm behind the times. I'm still with Baroque music, Gregorian chant, the requiems, and with the quartets of Beethoven and Brahms. That is what I need for the climate, for the surroundings, for the landscape: the music.
What I was going for in the first two albums I didn't necessarily achieve. Because I was young and because it was my first time out. And the second album was such a 'quickie' sort of 'Let's just get it over with!' But the kind of music I make, there's a lot of subtlety in it. And I think it takes a couple of listens to actually really get it.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.
I do not think classical music faces any threat because new music is being made through computer, as the real charm of classical is its purity, and one who is seeking purity will surely find classical music in spite of so many alternatives.
Perhaps it is to prepare to hear some day the music of the spheres that I am always turning my ears to the music of streams. There is indeed a music in streams, but it is not for the hurried. It has to be loitered by and imagined. Or imagined toward, for it is hardly for men at all. Nature has a patient ear. To her the slowest funeral march sounds like a jig. She is satisfied to have the notes drawn out to the lengths of days or weeks or months. Small variations are acceptable to her, modulations as leisurely as the opening of a flower.
I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.
There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.
I wanted to make an album where every song is kind of interacting - where you can't tell what's the string arrangement and what's the song. I guess that came out of going to college, majoring in music, studying classical music, and even as a kid, being really drawn to classical music.
When I listen to music today, it is about 99 percent classical. I rarely even listen to folk music, the music of my own specialty, because folk music is to me more limited than classical music.
My influences are jazz, blues, European classical music; they are rock music and pop music. So many kinds of music. World music from different countries like India and China. I think that would be a shame not to take advantage and do something... not unique, because I don't have this pretension.
You put music in categories because you need to define a sound, but when you don't play it on your so-called radio stations that claim to be R&B or jazz or whatever... All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
You must hold on to the sort of finger-painting aspect of music. That's something I learned, particularly from listening to Neil Young. Tom Waits is another one, because Tom's music is incredibly sophisticated and beautifully arranged, but he's using a toolbox that's unlike anybody else's.
Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.
I love classical music, but I hated classical guitar. But I like flamenco, because there was something else there going on. It wasn't just the notes being thrown at you. And there were certain kinds of jazz that I really liked and other kinds that just went right over my head.
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