A Quote by Brian Eno

The biggest crime in England is to rise above your station. It's fine to be a pop star. 'Oh, it's great, lots of fun, aren't they sweet, these pop stars! But to think you have anything to say about how the world should work? What arrogance!'
The English don't like concepts, really, not from a pop star. It's alright if they come from an 'intellectual,', but from a pop star you're getting ahead of yourself. Part of the class game is that you shouldn't rise above your station, and to start talking about concepts if you're in the pop world is getting a bit uppity, isn't it?
The biggest pop star in the world shouldn't be a boring white kid from Canada - the biggest pop star in the world should be a creative black kid from Texas that doesn't know how to come out to his family - that's a way more interesting story, and it gives a new type of kid some hope.
I think I've committed the one really bad English crime, which is I've risen above my station. I was supposed to be a pop star, and suddenly I'm claiming that I'm an artist of some kind.
I think there's something antagonistic about bedroom pop. We're reappropriating pop and saying you don't have to be an ex-Disney star to make pop music. You can be from Shepherd's Bush and have spent most of your life listening to the Smiths and still make a pop record.
There are many pop stars who are great performers - but there is no chart-topping pop star in history who could play guitar like Prince.
The hardest thing about being in this business is just being able to be yourself. People act like there's this one set of rules to follow to be a pop star and I think, 'Well, you say I'm a pop star, so maybe that's not true.'
There are people who are known for some contribution to pop culture, but that doesn't mean that you've survived solely on your relevance to whatever is currently popular. That's what a pop star is, in that sense. You might start out as a pop star, but that's just an opportunity to become more relevant, if you possibly can.
Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.
There's a stigma attached to 'pop music,' like it's a taboo word. It used to make my skin crawl when people said it, and I'd say, 'I'm not a pop star! I want to be a respected musician!' But I think people have changed the way they think about it.
Could you imagine being from Siberia? Like, a small part of Russia, where it's like, 'When was the last time Russia was having a super big international pop star in the U.S.?' I don't know, but I can name a few from Sweden. I think that gives us a lot of confidence in being pop stars because we're like, 'Oh, we actually can. We know we can.'
I think there have been so many documentaries about pop stars, made by pop stars. It's a new phenomenon. People making these movies where they praise themselves and show their own weaknesses. it's all designed to make you love them even more.
You want to embrace what the idea of pop music is. Not necessarily the stereotype of pop music; there was a time when you'd say 'pop music' and conjure up images of the Sweet, or Marc Bolan. That, to me, can be avant-garde still.
I'm still looking for the rules of what is and isn't pop music. I'm pop. I mean, of course I am. What isn't pop? There should be a pop amnesty where everyone reclaims it.
I feel like I'm a designer, not a pop star. But if certain people think of me like a pop star, then the only thing I could do about this is dye my hair black and cut it short maybe.
I don't think that I'm a pop star. On paper, I'm bad at being a pop star with the conventional idea people have.
Maybe I'm not a typical pop star, but I don't think there's a mould for a pop star or singer. You can do whatever you want.
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