A Quote by Brian Eno
When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings - to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
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I've loved singing since forever. Whether it was with my sisters while cleaning the kitchen, putting shows on for my stuffed animals, writing songs about my stuffed animals, starting an a capella group with my cousins while on vacation, or awkwardly singing along to karaoke tracks alone in my bedroom - singing always found a way into my life.
Every individual is in touch with the deeper level of being, the aware consciousness. If these humans form groups, they do not derive their sense of self from the group, which does not mean there cannot be a sense of being part of this group. But the group itself does not become an egoic entity.
When you break up the individuals from a community into individual units, they become disempowered because it's the collective consciousness and the collective energy of the group from which power comes. The principal driving force that lies before us is that we have to recognize the nature of community as the evolutionary step that we just took a step backwards from in the last century.
You know, being Jewish is problematic. Most people really don't know what exactly it means to be a Jew. We belong to a community of suffering, and that's what binds us together. But we are also extremely diverse. That's something I wish people who hate Jews as a group because they think they're so different would understand. We're also completely different within our own group! Essentially, we're just part of a community that has suffered a great deal, and not just in the Holocaust.
I sang in a reggae band. And then there was a soul band where I sang back-up vocals and some lead. And I was also in a women's a capella group. And I was in the gospel choir at school. Actually, I've always been in choirs. Or some kind of group. Just because I love singing so much. But I truthfully never thought of it as a career.
When I was 15 years old, my cousin and I formed a singing group called The Altaires. And, because we became the most popular singing group in the Tri-State area, the rest of the group convinced me I should play the guitar - even though I didn't own one! So what happened was, my stepfather actually made my first electric guitar for me for $23!
I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
When we recorded the song I Just Can't Stop Loving You, my vocal range is a little higher than Michael's range. He had me re-sing the demo in the new key. Then doing that he filmed me singing this demo in the new key. I actually said, "What are you doing? Why are you filming this?" He said to me, "Because I want to sing it like you. You sound so great and I want to sing it just like you." I said, "Oh, great, Mike, my friends are really going to believe me when I tell them that Michael Jackson wanted to sing this song just like me." We laughed about that.
A player who makes a team great is more valuable than a great player. Losing yourself in the group, for the good of the group - that's teamwork.
Actually, my first group was a folkloric group, an Argentine folkloric group when I was 10. By the time I was 11 or 12 I started writing songs in English. And then after a while of writing these songs in English it came to me that there was no reason for me to sing in English because I lived in Argentina and also there was something important [about Spanish], so I started writing in Spanish.
Youth theatre isn't just about a precocious child that wants to sing and dance in front of people. It's for everyone; it's about a community, it's about being supported by your peer group. You learn skills - not just acting but all the other sides - working in the TV, film, and theatre industry.
We can distinguish three groups of scientific men. In the first and very small group we have the men who discover fundamental relations. Among these are van't Hoff, Arrhenius and Nernst. In the second group we have the men who do not make the great discovery but who see the importance and bearing of it, and who preach the gospel to the heathen. Ostwald stands absolutely at the head of this group. The last group contains the rest of us, the men who have to have things explained to us.
I've a great group of people, a great family behind me all the way, all the time. You cannot underestimate that.
Part of what makes college football great is what you learn playing it. Being selfless, learning how to go through adversity as a group, learning about perseverance.
My favorite thing to hear is when people will come up and be like, 'I started an a capella group at my school!' or 'I got my best friend, and we wanted to sing, too!' And then they start groups.
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