A Quote by Brian Eno
People like Frank Zappa and Bryan Ferry knew we could pick and choose from the history of music, stick things together looking for friction and energy. They were more like playwrights; they invented characters and wrote a life around them.
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My dad was a big Frank Zappa fan, so I remember listening to a lot of Frank Zappa. Girls do not like Frank Zappa.
I was in school with Dweezil Zappa, Frank Zappa's son, and we had a band. Only in L.A. could stuff like that happen. We would hang out in Frank Zappa's studio, and we released a single in 1982 on his label. I was 12, and that was the first recording experience I had. To top it off, Eddie Van Halen produced it.
"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
People like Frank Zappa were amazing for us Brits.
The amazing thing about Freak Out! was that there was nothing quite like it in rock 'n roll at the time. It was really simultaneously crude and ugly, and incredibly sophisticated. The Beatles were funny, but there was nothing with the kind of sneer that you could feel in the music of Frank Zappa.
I like it when people are kind and I like people who are looking for collaborators. Sometimes you can feel like a moving prop, and that could be amazing, you can be a prop in somebody's incredible vision, but I'm more interested in people who are looking for actors they can collaborate with and make something together with. I like stretching myself, I like trying new things out, but I'm really interested in working with directors who have a very specific style and a unique way of working.
Looking at robots is not like looking at an idol. It's not a human being, so it's more like a mirror - the energy people send to the stage bounces back and everybody has a good time together rather than focusing on us.
When I was growing up, I was always looking for the most willfully uncommercial music: Whether it was Captain Beefheart or Frank Zappa or King Crimson, that's what attracted me.
Jeff Beck is my idol .. sometimes he finds notes that I just do not have on my guitar. Frank Zappa's another one .. I loved Frank Zappa ... I do think Van Halen reinvented the guitar ... he's an excellent musician, a shrewd guitarist and as a person he's wonderful.
Besides, I'd seen a really nice pair of shoes yesterday in the mall and I wanted them for my own. I can't describe the feeling of immediate familiarity that rushed between us. The moment I clapped eyes on them I felt like I already owned them. I could only suppose that we were together in a former life. That they were my shoes when I was a serving maid in medieval Britain or when I was a princess in ancient Egypt. Or perhaps they were the princess and I was the shoes. Who's to know? Either way I knew that we were meant to be together.
Isn't is lovely to be all together again?" Raffin said, throwing one arm around Po and the other around Bann. -------- She wanted them near, even if they were subsumed by their own affairs, she needed them at sword practice in the morning, at dinner at night, moving and shifting around her, there and gone, back again, arguing, teasing, acting like people who knew who they were.
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't. And clearly the ones who wrote music were more superior human beings in his mind. So he kind of nudged me and sort of prodded me into it. I picked it up slowly. Then I learned more about chords and harmony and I just kept adding to that. One of the great things about having good players in your band is that you just ask them questions. You can pick up some good information that way.
Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life.
Of all the things you choose in life, you don't get to choose what your nightmares are. You don't pick them; they pick you.
If I'm doing something I do like to take it to the limit. I've got a high ceiling. A wide threshold for seeing what those boundaries are for myself. I'm very resilient inside. I find things that I like and do and boy, I do like to stick to them. I'm not necessarily a guy who gets addicted to more of certain things, but if I find something I like to do, I like to stick to it.
It would have shown people that I was prepared to do that kind of work, although I find myself in a position now where I don't really need to and I could pick and choose the kind of characters I'd like to do.
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