A Quote by Brian Eno
One of the interesting things about having little musical knowledge is that you generate surprising results sometimes; you move to places you wouldn't if you knew better.
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People knew about IBM before they knew about Apple. Sometimes it takes a little longer for better to win.
I balance things better and don't kill myself so much, but conflict makes me a more interesting actress to watch. The places I go to pull emotions from, I think if you have a perfect, happy life, you just don't have those places. And I want those places. I'm proud of those places.
It's the results that are surprising, even results where we've totally screwed up, and then learned something in the process, are the ones that stand out. Having our preconceptions overturned is actually thrilling for us.
To my knowledge, there are, pretty much, two ways to be interesting: One is to actually do interesting things, achieve the remarkable. The other way to be interesting is to be interested, curious about the world and about other people - not relentlessly revelatory about yourself.
We need to create a new paradigm of development and happiness that can generate a three-dimensional peace – peace with ourselves, peace with other people and peace with mother earth. Little people doing little things in little places everywhere can change the world.
I have sometimes asked myself whether my country is the better for my having lived at all? I do not know that it is. I have been the instrument of doing the following things; but they would have been done by others; some of them, perhaps, a little better.
Everyone tries to create a world he can live in, and what he can't use he often can't see. But the real world is already created, and if your fabrication doesn't correspond, then even if you feel noble and insist on there being something better than what people call reality, that better something needn't try to exceed what, in its actuality, since we know it so little, may be very surprising. If a happy state of things, surprising; if miserable or tragic, no worse than what we invent.
Whatever I gain from writing lyrics, I feel I lose a little bit for the musical aspect by having that lyrical burden on me. But when I'm liberated from worrying about the words, frankly, I feel I'm a better composer.
I can get really obsessive. I like writing many drafts, and I try not to because it is very time-consuming, especially when you're working on a novel. But I do like to take a story and reorder it, put things in different places. This allows me to see things in a new and sometimes surprising way.
The knowledge we now consider knowledge proves itself in action. What we now mean by knowledge is information effective in action, information focused on results. Results are outside the person, in society and economy, or in the advancement of knowledge itself. To accomplish anything this knowledge has to be highly specialized.
I really love having conversations and deconstructing things. I don't mind not having a laugh every second. Sometimes things deserve a little more discussion, and then you can have some fun after that.
I understand why political leaders in the beginning want to be cheerleaders to generate optimism. But to admit that they didn't understand the depths of the problem afterwards, I found a little bit surprising.
Disco satisfied social as well as musical needs. Disco people got to dress up all the time and go to places ... where everybody sort of 'looked good' - and later, after an evening of chemical alteration, everybody looked even better, and the next thing they knew, they were getting The Blox Job. Punk, in the late seventies, purported to be a rebellion against this sort of silly behavior. Maniac bands started thrashing away in dingy little places with no decor, developing their own silly behavior. ... New wave evolved from punk, basically, by sterilizing its own safety pin.
By having a little bit of knowledge about many different things, it enables me to talk to people about a subject that they would not ordinarily think I could talk about. It's a lever for me, I suppose.
Move fast, take risks, it's okay to try big things you're better off trying something and having it not work and learning from that than having not done anything at all.
Michael Bloomfields' musical understanding was broad and deep, and he knew how to turn that understanding into communication .. his influence was phenomenal ... his story is about those kinds of things and about the people he knew and the audiences he thrilled and the times he had...
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