A Quote by Brian Eno
You either believe that people respond to authority, or that they respond to kindness and inclusion. I'm obviously in the latter camp. I think that people respond better to reward than punishment.
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If you create something that is asking for people to respond as they're going to respond, you have to allow them to respond as they're going to respond. Some of the people are going to be uninterested and some people are going to be mad for some reason, which is their business. That's just the way the world is.
I like visceral writing that people can't help but respond to, even if they respond, and they're shocked, or they're angry, or they're offended. I think that's the only way to reach people.
People respond better to kindness than cruelty. Why, it's even caught on in the workplace, that bastion of self-hatred and disrespect.
We have to respond to budget concerns, we have to respond to functional and programmatic concerns of the building, and we have to respond to public engagement. That's what you sign up for when you decide to become an architect.
Fundamentalist Muslim terrorists kill three thousand Americans, but America isn't supposed to respond, because if we respond, they'll respond. We always hear about 'karmic retributions' and the 'cycle of violence' only after we've been hit.
The Craft was what it was. People who respond to that movie respond to it really strongly.
Pain is not a punishment. And pleasure is not a reward. You could argue that failure is not punishment and Success is not reward. They're just failure and success. You can choose how you respond.
I think people enjoy "The Lobster" because people respond to original things, but I think they only respond to original things if they connect to some truths within us.
I was one of the main guys on my team and you always want to check people that you're bringing in. Are they tough enough physically and mentally? Can they respond when you need them to respond?
I have a sack of hate mail that I want to respond to. One day, when I’m tired or tipsy, I will respond and tell them what I think.
I gather that the dopaminergic system in the reward centres of the brain respond even more vigorously to the expectation of reward than to reward itself. Hence, perhaps, the disappointment.
People have to respond to the characters and respond to the situations that they're in. That said, it still has to be a compelling narrative that drives along and keeps people coming back week after week. So really, with any successful show you could name, there has to be a mysterious blend of both of those.
Comedy is drama. I think that if your characters are feeling something that is very real, then they have to respond in a way that feels real to them, and some situations, the only response you could possibly have is to respond in a way that's so extreme that people are going to laugh.
I think young people respond much better to openness and frankness and practical stuff than speeches.
A lot of times, people send me emails, and then I forget about them, or I never respond to them, or I respond to them weeks later.
I think that one thing about teaching is you're trying to communicate your thoughts about a work to a group of people who may or may not share that sentiment. This has forced me to become a lot more articulate about what I respond to and what I don't respond to in fiction.
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