A Quote by Brian Eno

I do sometimes look back at things I've written in the past, and think, 'I just don't remember being the person who wrote that.' — © Brian Eno
I do sometimes look back at things I've written in the past, and think, 'I just don't remember being the person who wrote that.'
I suppose I sometimes used to act like I wasn't a human being... Sometimes I look back at myself and remember things I used to say, or my hairstyle, and I cringe.
You go back and look at the situations from both angles, and that's where the progress and the growth came, by being able to look at it from the other side. Moving forward, knowing to do the right thing was learning from my mistakes of the past. Sometimes it's just, don't do that.
I tend not to look back on old clips of myself or look at things I wrote or listen to something from the radio 30 years ago: I remember them, but it feels like someone else.
I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.
Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.
In the ordinary jumble of my literary drawer, I sometimes find texts I wrote ten, fifteen, or even more years ago. And many of them seem to me written by a stranger: I simply do not recognize myself in them. There was a person who wrote them, and it was I. I experienced them, but it was in another life, from which I just woke up, as if from someone else's dream.
I wrote 'Don't Look Back' in November 2011, and when I wrote the novel, it wasn't contracted, so there was a freedom in that - no expectations or anything like that. It was also my first contemporary novel I'd written and sold, which was to Disney/Hyperion in January of 2012.
I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."
Sometimes I look back at myself and remember things I used to say, or my hairstyle, and I cringe.
All I've learned in today's Shakespeare class is: Sometimes you have to fall in love with the wrong person just so you can find the right person. A more useful lesson would've been: Sometimes the right person doesn't love you back. Or sometimes the right person is gay. Or sometimes you just aren't the right person. Thanks for nothing, Shakespeare.
If you write something in the evening or at night, look back over it the next morning. I tend to be less self-critical at night; sometimes, I've looked back at things I wrote the night before, and realized they were no good at all.
Every song brings back memories, like I remember where I wrote all these songs. 'Universal Heartbeat' was my apartment in New York City. 'My Sister' was at my apartment in Boston. I remember places and I remember what I was thinking when I wrote it.
Sometimes you need other people to embody situations so that you can talk about things that for you are important. And I think that being able to hope for the future is what builds in us the strength to just get rid of things that, in the past, can hurt.
It's hard sometimes to not want to know what people are saying behind your back and to ignore certain things that are being written.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
I always wrote. I wrote every day. I don't think I could have written 'Just Kids' had I not spent all of the '80s developing my craft as a writer.
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