A Quote by Brian Eno

When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
When I first started out, I was making really slow, psychedelic ambient music because it was all I could do.
In England and Europe, we have this huge music called ambient - ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
With 'Minecraft,' I've started creating serene ambiance music. As the game went on to become famous, people started identifying me as the ambient music person, which I never actually thought I was.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
I love synthesizers and I love electronic music and I love the avant garde and I always want to try and have some kind of element of that in the music. So once the music is put down and recorded, that's when I start to tinker with it using synths.
Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.
The thought about changing my genre of music does cross my mind, but then I remember why I started making music in the first place or why people started liking my kind of music.
There are artists that are using computers in all genres - Kendrick Lamar's music is electronic-made, and Taylor Swift is the same thing. There's a lot of pop music, underground music, and music for films made with computers. In that sense, it's not going to go away.
When I started working on ambient music, my idea was to make music that was more like painting.
I started to listen to music and began collecting records around 1948. And it was fairly soon after that that hi-fi came about, so that it was possible to have really good sound - LPs and tapes and speaker systems. The whole thing came more or less at once.
Music came first and I started to jam with people I couldn't communicate in their language. Then, because I could make friends thanks to music, they started to talk to me. Then I started to learn English.
A violin is nothing more than a piece of wood and a dead cat. But it's a piece of technology. So when computers came along, in the '70s, I suddenly thought, hang on a second, this is interesting. These things can become an instrument. So I just became very interested in them, and started, playing with electronics.
After the first three or four years of me taking rap seriously, it started to look more promising. I started booking shows and more people were playing my music, so I starting believing this could actually work for me.
When I first started making music, I wrote the lyrics first, but now, because the music has got kind of wilder, I've flipped it.
I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.
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