A Quote by Brian Eno
I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I've never been interested in that.
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The camera course was a bit crap. But when I was in drama school, I wasn't interested. I wanted to be a stage actress. I was not interested in learning camera craft. But then you throw yourself in the deep end when you do get a job in front of the camera because you have absolutely no idea what you're doing, and it is a skill.
My father has always been interested in discarding the past. He's never much liked China or the whole idea behind China or Chinese ways of thinking. He's always been much more attracted to American ways of thinking. He feels Americans are more open - they tell you what they think - and he's very much that way himself.
I was never really that worried about being a member of the Sopranos crew. I think it looks kind of fun to not have to work, to not have to take crap from anybody. And then there's the reality check in there, which is that you do have to work, you do have to take crap from people, and you can fail, and all these other things.
The good thing about playing with other musicians is that it's much easier to make the translation to playing live. It's much more difficult if you're trying to take something you've overdubbed alone on stage. But again, there are some benefits.
I decided a long time ago I didn't want to be a star personality and live my life out in public. I don't think it's a good idea to wave personality about like a flag and become labeled.
I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.
I'm getting less and less interested in the problems of youth. I'm much more interested in the idea of emotional paralysis, and I find myself less interested in work that doesn't have anything to do with a conversation about the world.
I think the idea of being on stage and playing for people, and being able to inject a little bit of joy into their lives is a really exciting concept for me. That's definitely why I make music. It's never been for any kind of materialistic reasons, so that thought of being able to be up on stage, and being able to give something to someone in a moment of need for them - that gets me up in the morning; that really excites me.
I'm a touring artist - I love going out and playing live, and I was sick of making records didn't translate well live - that misrepresented who I was as an artist. I'm not saying those records weren't good. I think they're great. I think a lot of them have great songs. My challenge was making the songs that were specifically great for the type of personality I wanted to present which was my personality - I wanted to get that across on record - and have something that was fun and energetic live.
Think about the amount of crap the US has done! Between slavery and the genocide of the Native Americans - if any of that had been filmed like [Adolf] Hitler, we'd never live it down.
When I was doing mainly music, I used to stick a microphone out the window, into the countryside, and create a live mix. I wanted to put air in electronic music. I record the sounds of twigs, barks, and stones. I've always been obsessed with the idea of combining the natural and the man-made. It's not because I think the technology is crap, or that I'm trying to work against it, but that juxtaposition is truly beautiful. The question of what is natural and unnatural is very open.
I've never been this loud personality. I don't dominate the room when I walk into it. I save that for stage.
I remember when I was a kid and I used to go and see Queen play live. It was like there was Queen the album band, and then Queen the four dudes on stage playing the songs on stage, and it never lacked anything to me when it was just the four dudes playing the big songs.
I was never that good on stage with live improv. I was much better on film or writing something and then thinking about it. I was too in my head when I was on stage.
I find with television, you have to play personality, whereas onstage, everyone talks about "the character," and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.
I find with television, you have to play personality, whereas onstage, everyone talks about 'the character,' and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.
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