A Quote by Brian Eno

I've had quite a lot of luck with dreams. I've often awoken in the night with a phrase or even a whole song in my head. — © Brian Eno
I've had quite a lot of luck with dreams. I've often awoken in the night with a phrase or even a whole song in my head.
I always had dreams, my whole life, of being somebody special. Someone out in the world that everybody knew of and everybody liked. Somebody unique. Even when I was down on my luck, in my head I still had those dreams.
A song doesn't happen as a whole verse; it happens linearly, line by line, almost word by word, phrase by phrase. And if each phrase, each line, has a proper emotional feel and connects to the line before it and the line after it, the song will be doing what it should be doing.
Quite often - a lot of the work I had done had been extensively with women. Most especially in the theater, but also quite often in the movies. That has its own delights, and maybe pitfalls too.
I try to remember dreams, and occasionally I'll make a note or two in a notebook if it's something extra interesting. They do mean quite a lot to me, and they don't happen all that often. In other words, I don't have some kind of loud, Technicolor dream every night. But a few times a month, I'll have a rather interesting dream. They're mostly visual - oddly enough, I don't have much dialogue in my dreams. They just don't speak.
I just make up lyrics off the top of my head. A lot of times, there's a phrase I really like, and I kind of build the song around that.
And to have spent the night sleeping and awoken regretful, is better than to have spent the night standing (in prayer) and awaken impressed with oneself!
I've always sung. My dad had a song in his heart and on his lips 24/7. A lot of the time, it was the same song and the same phrase over and over again.
We had a lot of luck this year and our guys took advantage. Wow. What a night.
There's no love in my songs. There's just a lot of resentment. Just bad attitude. But that's intentional, that's what I like. I love the whole idea of Motown. Their idea was to sing how down on their luck they were, but the song implied hope that it would get better. I liked that idea, and I wanted to go even further with it.
I had a friend, a lover. Or did I dream it? So many dreams are crowding upon me now that I can scarcely tell true from false: dreams like light imprisoned in bright mineral caves; hot, heavy dreams; ice-age dreams; dreams like machines in the head.
She dreams a lot. She dreams of Ondines and falling maidens and houses burning in the night. But search her dreams all you like and you'll never find Prince Charming. No knight on a white horse gallops into her dreams to carry her away. When she dreams of love, she dreams of smashed potatoes.
I've just had this idea pop in my head of trying to learn a new song every da, and try and play it that night. That's been fun for me because it's a little bit of a scary adventure, playing a song for the first time in front of people and letting it just be what it is.
After having done this whole slew of press for 'Big Love', now I'll have anxiety dreams for like a week and a half about all the stupid things I said. I can't even imagine being in front of the cameras all the time. I had a weird dream the other night that I was on 'Jersey Shore.'
I've found that luck is quite predictable. If you want more luck, take more chances. Be more active. Show up more often.
There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.
Do you often find yourself uttering the phrase, 'I feel like I should go?' You do not need to go. You are busy that night. You are busy every night, forever.
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