A Quote by Brian Eno
If you watch any good player, they're using different parts of their body and working with instruments that respond to those movements. They're moving in many dimensions at once.
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This is going to sound cheesy, but with acting there are so many tools. When you're on camera, you're using all of it. You're using the voice, you're using your body, you're using wardrobe, all of it, but it's funny, once you take all of those things away, you realize how much you rely on the physicality.
Just as your physical body is composed of tissue, organs, bones, and different parts, so your subtle physical body has many different parts.
One of my earliest memories of something that caught my attention was of a steam locomotive. I guess mainly because they have so many moving parts that are out in the open. You can watch the valves moving back and forth - the driving rods.
Most new movements start this way: hundreds or thousands of individuals and groups, working in different fields and different locations, start thinking about change using a common language, without necessarily recognizing those shared values. You just start following your own vector, propelled along by people in your immediate vicinity. And then one day, you look up and realize that all those individual trajectories have turned into a wave.
I think any musical has so many moving parts and the challenge is unifying all the moving parts in particular because you have the camera and now it's all about adaptation and what works in one medium doesn't necessarily work in another so the challenge is to stay as true as you can to the material and yet not be afraid to step out of it and add elements to make it satisfying cinematically.
Instruments sound interesting, not because of their sound, but because of the relationship a player has with them. Instrumentalists build a rapport with their instruments, which is what you like and respond to.
Once you become aware of your own body and its movements, you will be surprised that you are not your body. This is something of a basic principle, that if you can watch something then you are not it. You are the watcher, not the watched. You are the observer, not the observed. How can you be both?
Each of the seven chakras references different dimensional planes. It is a turnstile that leads us into different dimensions. As the kundalini rises, the knowledge and powers of those dimensions will begin to come to you.
You do not need to do many different exercises to get strong - you need to get strong on a very few important exercises, movements that train the whole body as a system, not as a collection of separate body parts. The problem with the programs advocated by all the national exercise organizations is that they fail to recognize this basic principle: the body best adapts as a whole organism to stress applied to the whole organism. The more stress that can be applied to as much of the body at one time as possible, the more effective and productive the adaptation will be.
Most programming languages contain good parts and bad parts. I discovered that I could be better programmer by using only the good parts and avoiding the bad parts.
In order to make my solo shows as interesting as possible, I moved songs onto very different instruments so that I was moving instruments quite a lot during the set.
The only parts I like out of any of those women books is the dirty parts. But I don't think their dirty parts are any good, really.
I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.
Using the combined, integrated force of the mind and body is more efficient than using one without the other. Since the body can only exist in the present, that's where the mind should be too (unless we deliberately choose to contemplate the past or future). At the same time, the body needs to be healthy and in optimum operating condition so that it can respond effectively to the mind's directives.
In a game, there are so many different variables that are thrown at you - the defense, where your teammates are, how fast your body's moving, and you have to be in control of all those decisions.
Oh, hello, me lovely, we haven’t met. Asmodeus, demon extraordinaire, at your service. Any service you may require, especially those that involve nudity and adjoining body parts joining other people’s body parts. (Asmodeus)
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