A Quote by Brian Eno

If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes. — © Brian Eno
If I tried to make a commercial album, it would be a complete flop. I have no idea what the world at large likes.
What was great about the 80s was that you still had record companies who would get behind developing you as an artist. You had these bonkers heads of department and A&R people who, even after a flop album, would let you make another one.
The mind likes a strange idea as little as the body likes a strange protein and resists it with similar energy. It would not perhaps be too fanciful to say that a new idea is the most quickly acting antigen known to science.
I don't back down. Like, I don't know how to flop. That's never been a part of my game. For me to know if a guy likes to turn left shoulder or right shoulder in the post, I have an advantage. Or if he likes to go left all the time, I have an advantage. Or if he can't make open jump shots, I have an advantage.
I'm a very practical actor, and having an artistic triumph that's a commercial flop doesn't do you any good, in any phase of show world.
I had no idea until I joined the games industry and met some of the power players, particularly those running large public companies, that much of this world is run by complete clowns.
I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
When I was growing up, I would listen to a different album almost every night. I would do the full album experience before I went to bed and that's how I would discover a lot of music. I would kind of go into another world with my headphones on.
I thought if we made an album that tried to change the world, or give it hope, it would really happen. But all people found was death and destruction and misery and self-hate. I learned that the world doesn't want to be saved, and it will f**king punch you in the face if you try.
In the mid-1970s, I even decided to make my own country album. I put the idea to my record company, thinking we'd just go into the studio in the U.K. and make a novelty album. But instead, they suggested I go to Nashville. I was flabbergasted. I hadn't expected that at all.
My first professional audition - god, I've never told anybody about this - was for a test commercial, I think it was for Xbox. It involved me getting kidnapped by a granny who wanted to play the Xbox. It was very weird and I definitely had no idea what I was doing. I actually got the gig. It wasn't a commercial; it was what directors did when they wanted to show the company what they would do with a commercial.
I would love to do a complete EDM album.
I have tried to make all my acts and commercial moves the result of definite consideration and sound judgment. There were never any great ventures or risks. I practiced honest, slow-growing business methods, and tried to back them with energy and good system.
Everybody likes an extraordinary person or likes to think that they would be great with a superpower in an ordinary world.
My album focuses on unrequited love quite a lot because I don't think it's spoken about enough in music. I've been through it myself and I found it hard to find songs that were about that, so I've definitely tried to make that a part of my album.
The second half of the twentieth century is a complete flop.
Making a big commercial movie is hard when you think about how many of them flop.
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