A Quote by Brian Eno
The problem with fine art is that in most cases people have to make a special excursion to go and look at it: they can't afford to own it. So it isn't really part of their life in the way that music can be.
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There are some really great books that have been written about slavery, but I don't think that the discourse about it in society has been very accurate or healthy. I don't think we've come up with ways to tell it that don't insult people or hit them in the wrong way. Part of the problem is that most people don't really understand what slavery was anyway. Most white people didn't own slaves. Slavery was a way of life, just like driving cars is a way of life now. It doesn't mean that it was right.
The music goes into people in a totally different way than words. There's air, there's the sound of words, there's touch, there's music. All of those things have a really distinct way of meeting and entering people's bodies and souls. It's the most beautiful part about humans; that we make music.
In the USA, we learn "art history" as Western art history, and the history of Asian, or African art is a special case; we learn politics by examining our own government system, and consider other systems special cases, and the same is true of philosophy.
I know people will criticise when you play bad; that is part of this job, and I am fine with that. That is not a problem. The problem is the insults. That is what hurts the most.
He shrugged. "The same as any other. It's a way to make people feel better about themselves. Everyone likes feeling special. Being part of an elite group is a way to do that." "But you weren't part of it?" "No need. I already know I'm special.
You know, when you choose to make your living as an actor, it's all fine and good to look at it as some kind of artistic endeavor. At its best, it is that. But the fact is, most of the actors out there don't earn $3 million a picture and can't afford to take two years off between films and look for the right thing. Most of us are tradesmen.
I really have a lot of respect for music, the art form of music. It's my whole life. I don't care about any of that other stuff. And I have always felt that way. I'll build a career on my own merits, my own hard work and nothing else.
You can't afford to make the shark look good so you do most of it with ominous music and a fin.
It's the way I make music, I will take two ideas and smash them together and if they sit well together for me then that's fine, and it's the same with the lyrics - if I see a couple of lines and I like the way they look on the page then I'll use them. I find they take on a meaning of their own, it's very difficult to explain how I actually go about all that.
There's no way that music could ever go down the tubes. I can't imagine a civilization without music. When you realize today that music is such a part of people's lives. And will always be, really.
I take things very seriously, and I give myself time to come down and to ramp up, and it's an inside spiritual journey for me. I feel like acting is a way of feeling your personality, and it's really special. Special to have this kind of effect on people. You can only have that effect if you're really outside of yourself. You can't look at yourself and do what I do at the same time. I have done it that way in the past, but it doesn't really work. I can only soar within the parameters of time, and I use music analogies.
Texas is really special in that we have our own music scene, our own music chart. It's almost a genre on its own. It feels like you can make a great living just touring the state because it's so big, but eventually, I wanted a new challenge.
The global warming is going on. These are not single cases. These are all part of a general way we've been looking at the world. As long as we look at the world that way it's going to go on. Because the idea that the important thing is for some people get rich while the rest of the people work for them is very deeply dug in...
When people get in your face and say, 'This will pass,' you think, Are they crazy? I'm never gonna feel any better than I feel right this minute and nothing's ever gonna make sense again... You see a lot of people play this blame game. Blame, blame, blame. You know? And it's a really easy thing to do, and I'm certainly guilty of it. [You have to] look at yourself and go, 'What part of this do I need to own? Which part of this is my responsibility?' And that's the painful work that you have to go through to hopefully get some real life knowledge out of it.
I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.
I love the way I make hip-hop and I refuse to make pop-rap. I don't refuse to make mainstream music, which is why I did a soul record. There was no reason why soul music couldn't get played on the radio and I still wanted to have a relationship with my record label. So, I really enjoyed doing the Strickland Banks album. But there's no point in my trying to release underground hip-hop music on a major label. That part of my talent, or part of my art, had to live somewhere else and feature film was the perfect vehicle for it.
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