A Quote by Brian Eno

Classical - perhaps I should say 'orchestral' - music is so digital, so cut up, rhythmically, pitchwise and in terms of the roles of the musicians. It's all in little boxes. The reason you get child prodigies in chess, arithmetic, and classical composition is that they are all worlds of discontinuous, parceled-up possibilities.
That was my first love growing up - classical orchestral music, especially Impressionism.
Being from a classical environment, I've always been provoked by classical musicians thinking that classical music is so much greater art than pop. I've always been annoyed by that.
My background in music is classical - I did graduate school in music. At that time, I was studying composition, but I was studying classical guitar very seriously.
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art.
Indian classical music is charming and currently there are a wide range of musicians who bring great classical tunes to the Bollywood industry.
Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.
I grew up listening to my parents' albums. Many of them were either classical - Bach, Beethoven and Brahms - or easy listening, like Mantovani. I loved the spectrum of emotions in classical music, from fortissimo to pianissimo. My early passion for classical made my drumming more musical later on.
I used to do Korean classical music and started training to join an idol group after someone set me up an interview with my current agency. The common thing between Korean classical music and becoming a singer is that I get to go on stage which why I decided to get professional training for K-pop music without holding any bias.
Being a musician, you want to be able to do the hardest stuff there is. People would think it's classical, but in classical, it's all on the page and the difficulty is keeping up with the music.
I got a classical piano training when I was little, and we also had music study lessons where we'd have to listen to a lot of classical music.
I do not think classical music faces any threat because new music is being made through computer, as the real charm of classical is its purity, and one who is seeking purity will surely find classical music in spite of so many alternatives.
And what classical music does best and must always do more, is to show this kind of transformation of moods, to show a very wide psychological voyage. And I think that's something that we as classical musicians have underestimated.
Jon Anderson and I, we really liked a lot of classical music, and we wanted to get some orchestral arrangements going on 'Time And A Word.'
When I'm in the classical world, I really treat it as exactly classical and I don't try and spruce it up or jazz it up or make it easier for the masses.
Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.
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