The very first concert I ever went to was a Green Day concert when I was 12 years old, at the Hershey Centre in Mississauga, Ont., and I remember right after seeing them perform I started a band, and I wanted to get up in front of people and start performing. Ten years later, to be on the Green Day 'American Idiot' tour is really awesome.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
I remember Green Day came down and played this South Florida club called the Plus Five. I think I was too young to go - I think I was 12 or 13. It was before Green Day were on a major label, but I loved them because they were this band who were a punk band, but they had melody.
I'm a huge fan of Green Day's album 'American Idiot'; it was just a whole, very thorough experience.
For 'tis green, green, green, where the ruined towers are gray, And it's green, green, green, all the happy night and day; Green of leaf and green of sod, green of ivy on the wall, And the blessed Irish shamrock with the fairest green of all.
Baseball is the favorite American sport because it's so slow. Any idiot can follow it. And just about any idiot can play it.
The record [American Idiot ] felt special to us, when we recorded it, with all of the artwork and the concept behind it and it being a rock opera, but we didn't really know where it was going to go. It's like I always say, you just follow the music. Not only was American Idiot a special moment for us, but it also led to Ordinary World, too.
'Far Beyond Driven' was a record that was probably ahead of its time, and to this day, it still sounds as fresh as just about any other band that's out there. It was a record that was pushed to another level.
I think there's a green side to John Kerry, if you like, that he's an environmental activist. His record on the environment is as best as you have on a pro-environment record of anybody in the U.S. Senate.
I remember the day we were hanging around the band's commune and Roger came in with the press kit for a rock band (Moby Grape) any of us had ever seen. It looked psychedelic, yet it was done by ad people. I believe the word "hype" was coined on that very day.
The only big life challenge I think I'm worried about is a mid-life crisis because I've done so little. I think if people who've lived normal lives have mid-life crises and buy motorbikes, what is a man who's done nothing?
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
We've done every record on our own. Its produced by our guitar player and sometimes we'll have some help mixin' it and have some outside engineers but for the most part, it's done by the band and I think that's the reason why CKY sounds like no other band, 'cause we make our own albums.
I am very proud of The Saints and I'm very glad that I've been associated with them all these years, but the next record is the best record... has to be the philosophy for any band that remains even halfway decent or vibrant, and that is kind of where my head's at.
I was a Green Day guy because the first DVD I bought was Green Day's 'Bullet In A Bible,' the live album. That really empowered me to be not just a drummer but a performer. It's a really crucial part of why I wanted to be in a band.
Starting in the mid-'80s, I played in a band called Meat Joy, and we made our own record, toured.