A Quote by Brian Fallon

On the road, we watch 'The Mighty Boosh.' We have so many copies, we have them in different country codes.

Brian Fallon

Quote Topics

Codes Copies Country Different Many Mighty Road Them Watch

Quote Author

Brian Fallon
American - Musician
Born: January 28, 1980

I've seen a little 'Mighty Boosh.'

Matt Walsh

I think 'the Mighty Boosh' are quite good.

Bob Mortimer

I love 'Flight of the Conchords' and 'the Mighty Boosh.'

Liz Kendall

My son got me into 'The Mighty Boosh.' I just love that surrealist humour.

David Morrissey

I guess the most interesting thing that people think is I'm English [because of The Mighty Boosh].

Rich Fulcher

Now, with the success of musical comedy like the Mighty Boosh, Flight of the Conchords and Bo Burnham, I feel vindicated.

Bill Bailey

Hope is like a road in the country; there was never a road, but when many people walk on it, the road comes into existence.

Lin Yutang

But as far as being an American and loving this country and getting a chance to travel across it every day and meeting people on the road and folks in the military, I love this country on so many different levels.

Dierks Bentley

When we were touring with The Mighty Boosh, we went on a ghost tour of York. It was all about ghosts, and the tour guide was hilarious.

Rich Fulcher

When I receive a box of my books, my impulse is to hide rather than display them. It always makes me very anxious that they send so many copies, because I have to think of lots of different places to hide them.

Katie Kitamura

In the stream.- Mighty waters draw much stone and rubble along with them; mighty spirits many stupid and bewildered heads.

Friedrich Nietzsche

Sure there's different roads from this to Dungarvan* - some thinks one road pleasanter, and some think another; wouldn't it be mighty foolish to quarrel for this? - and sure isn't it twice worse to thry to interfere with people for choosing the road they like best to heaven?

Marguerite Gardiner, Countess of Blessington

Copies have been dethroned; the economic model built on them is collapsing. In a regime of superabundant free copies, copies are no longer the basis of wealth. Now relationships, links, connections, and sharing are. Value has shifted away from a copy toward the many ways to recall, annotate, personalize, edit, authenticate, display, mark, transfer, and engage a work. Art is a conversation, not a patent office. The citation of sources belongs to the realms of journalism and scholarship, not art. Reality can’t be copyrighted.

David Shields

Killing Eve' was kind of the road for me as an art person, where you have this opportunity to work with so many different writers, so many different directors, and so many actors at the same time.