A Quote by Brian Fallon

I never got a chance to do Tom Waits or PJ Harvey kind of stuff in the Gaslight Anthem. — © Brian Fallon
I never got a chance to do Tom Waits or PJ Harvey kind of stuff in the Gaslight Anthem.
I know it sounds weird, but the kind of music I write isn't the kind of music that I listen to, which is quite underground, left-of-centre stuff like PJ Harvey and Tom Waits.
I would love to work with Leonard Cohen, Tom Waits, B.B. King. I'd love to do something with Arctic Monkeys, Miles Kane, and The Last Shadow Puppets. If I got a call from Juliette Lewis or PJ Harvey, or Chrissie Hynde, that'd be a thrill.
As I've gotten older, I've realized the element that sounds like The Gaslight Anthem that's mine is always going to be me. The other three-fourths of it is going to be the other guys. I can't stop doing what I do naturally, whether I'm in The Gaslight Anthem or my own thing.
I got to watch my heroes meet him and saw how they reacted, whether it was Joe Strummer or Tom Waits. It was peculiar. I'm so stoked to meet Tom Waits, and he's so nervous to meet my dad. It's a head spin.
Gaslight Anthem's thing is its power. It's just like boom and explosions and loud, and play with everything you got.
I'd love to do a song with Tom Waits. Around when I was like 17 or 18, my buddy, D-Money, put me on the Tom Waits and I literally at that point got every one of his albums and kind of studied his music. I like that he provides an entire world for the listener. He's hopefully someone that I could vibe with down the line. I'm not sure how it would sound or even how it could work, but he's always been a huge influence.
I’ve never met anyone who made it with a chick because they owned a Tom Waits album. I’ve got all three, and it’s never helped me.
I heard Tom Waits in this kinky shop on Belmont Street in Chicago. Considering the way I was raised, they were such obscure voices, but their music saved my life - I didn't know who I was before I heard Bob Dylan and Tom Waits.
If you asked me to make a Gaslight Anthem album on my own, I would say, 'No way, that's crazy.' I would never have been able to do that.
I would love to work with PJ Harvey some day.
The Gaslight Anthem is very streamlined. We don't usually use organs and strings and things like that.
I would love to record something with PJ Harvey or Alison Goldfrapp.
Leonard Cohen can give you "Leonard Cohen" - the self-deprecating wit, the slow, considered speech, the perfectly-honed anecdote - Tom Waits is far more comfortable giving a journalist "Tom Waits" the character, whose conversation is really a series of strange tales, learned or ad-libbed.
I have used that song ["50ft Queenie"] and I'm a big PJ Harvey fan. I think she's fantastic.
We also listen to PJ Harvey; a lot of driving music. You need something a little more relaxing in the car.
I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.
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