A Quote by Brian Fallon
When you label something a singer-songwriter record, you cover many genres.
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Not many people come out of a big band as the lead singer/songwriter and making a record, and all of a sudden we're all happily sailing at the same pace as we were before.
Anyway, in my performance style, I'm a singer-songwriter. People can call it neo-soul or R&B or whatever. But at the core, when you see me live, I'm a singer-songwriter.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer, songwriter, or find a singer to develop.
The business today is completely different and it's very producer driven, so that a songwriter needs to have producing chops, be a singer/songwriter, or find a singer to develop.
Commercial success still hasn't come to an artist that isn't signed to a record label. There are very few artists that can succeed without the help of a record label. The role of the record label is still required, it's still necessary.
My writing voice is a little quirkier, more singer-songwriter-y than the Top 40 stuff I cover.
I came from a strong jazz/ singer-songwriter/folk influence, but in L.A., I learned how to have a balance between all these genres and R&B music and hip-hop, mixing them all together.
Michael Jackson is an underappreciated songwriter and an underappreciated singer. I think the world only gives him the most recognition for his dancing. He was an awesome singer and an amazing songwriter.
If you're a novelist, you have sort of themes that run throughout novels. You start a novel and you finish a novel. With record-making in the singer-songwriter world or whatever it is that I do, it's a little different because there is no specific arc that is necessarily, like it's not a concept record.
In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.
Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.
Very unique: I was a singer-songwriter-guitarist. Very unusual in the late Seventies to find a singer-songwriter, and on top of that, a guitarist.
My plan was always to leave school and live in a flat with some friends, have a 9 to 5 job, and try to get as many gigs as I could. I wanted to keep writing and then eventually, in my twenties, head to a record label and hope they'd sit down and listen to my book of songs, sign me as a songwriter and maybe an artist in development.
I love it when people refer to me as a singer-songwriter. I get flutters in my stomach because they say, 'This is Grace VanderWaal, singer-songwriter,' not, 'This is Grace VanderWaal, winner of 'America's Got Talent.'' I'm so proud of that; it's such a big chapter of my life. But it's nice to kind of not be known as just that.
I don't like the idea of a singer-songwriter record. I don't picture myself that way, and it's not my favorite sort of look, I guess. It's really just an aesthetic thing.
I didn't want to be the crippled songwriter or the crippled singer. I wanted to be the singer or the songwriter who was crippled. I wanted to be larger than life and a man among men.
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