A Quote by Brian Ferneyhough

If the work of art is to continue pursuing the vision of both being in and of the world but nevertheless in some fashion being more than just one more object to the mounting clutter, this is the specific point, I think, where this must be assured.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
A line partakes of the simplicity of a point more than does a surface; and a surface [partakes thereof more] than does a material object-as was evident. From this consideration of a point and a material object elevate yourself unto a likeness of True Being and of the universe; and by means of [this] quite clear symbolism [of a point] make a conjecture about what has been said.
A kiss can be like the world turning over. It can be like the tide of a dragon's dream washing through the unseen world that is hidden to mortal eyes but that nevertheless permeates our being. It can be hot and cold together, as vast as the heavens and yet specific to the pressure of hands and the parting of lips. It raised more intense feelings than I had expected, like being engulfed in a storm of lightning.
Fashion being the art of those who must purchase notice at some cheaper rate than that of being beautiful, loves to do rash and extravagant things. She must be forever new, or she becomes insipid.
Fashion went from being much more rarefied to being more accessible. Now everything is changing in the art world, too: even the highest level of institutions are becoming more aware of the general public, like the McQueen exhibit at the Metropolitan or the Tim Burton at the MoMA or how the Gagosian does historic Picasso shows, bringing museum quality into a gallery. Galleries are becoming more like museums, and museums are becoming more accessible. In the next decade, I think it'll be blown open: there will be a lot of shifting around in terms of how artists approach their work.
The fashion world is 10,000 times more superficial than the art world. Fashion people are so much crazier than art-world people. They are constantly trying to leech from the art world, but they will never be able to do what we do.
Art and poetry cannot do without one another. Yet the two words are far from being synonymous. By Art I mean the creative or producing, work-making activity of the human mind. By Poetry I mean, not the particular art which consists in writing verses, but a process both more general and more primary: that intercommunication between the inner being of things and the inner being of the human Self which is a kind of divination (as was realized in ancient times; the Latin vates was both a poet and a diviner). Poetry, in this sense, is the secret life of each and all of the arts.
I think art must be tough! I think art has to be hard. I don't think it should be easy. I think it should take foot-pounds of energy to produce that art, otherwise we would have more mediocre writers, and we don't have room for any more mediocrity in the world. There's already enough of it being visited on us night and day through the Internet, and through television, and through politics.
I love being a mum, but it's much more intensive work than being an actress - going to work feels like you've got a day off. Not that I want a day off from being a mum; it's just perhaps I had this impression before that mums don't work. But they work more than anyone.
I think creating the clothes is about creating historical images - and that's about more than fashion. It is about the fashion, the photography, what you are doing in the moment. It's what we call in French rechercher, or the search for that thing. So even though fashion is not scientific, I think being a designer is somewhat like being a scientist.
Some day no one will have to work more than two days a week... The human being can consume so much and no more. When we reach the point when the world produces all the goods that it needs in two days, as it inevitably will, we must curtail our production of goods and turn our attention to the great problem of what to do with our new leisure.
The art is more important than the artist. The work is more important than the person who does it. You must be prepared to sacrifice all the you could possibly have, be, or do; you must be willing to go all the way for your art. If it is a question between choosing between your life and a work of art -- any work of art -- your decision is made for you.
We live in a world made up more of story than stuff. We are creatures of memory more than reminders, of love more than likes. Being attentive to the needs of others might not be the point of life, but it is the work of life. It can be messy, and painful, and almost impossibly difficult. But it is not something we give. It is what we get in exchange for having to die.
When you're an actress you are in a very specific position, cerebrally, I would think you know. You are a thinking person but you are in a certain perception of the world between really being conceptual and completely stupid. So you are in between, with a lot of intuition and instinct. And that's not completely being intellectual because I think intuition is more blurred. It comes from intuition. Instinct. More than really reasoning.
The object is to keep busy being something...as opposed to doing something. We are all sent here to bring more gratitude, more kindness, more forgiveness and more love into this world. That is too big a job to be accomplished by just a few.
Nothing is more maddening than being questioned by the object of one's interest about the object of hers, should that object not be you.
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