A Quote by Brian Ferneyhough

Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries. — © Brian Ferneyhough
Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
The culture of suppressing women composers and performers goes centuries back in Germany and other countries. Just think of Fanny Mendelssohn and the struggles she and many other women had to endure to get their music recognized. How many women's compositions were left to languish in attics, only to be thrown out by future generations! So much has been lost over the centuries.
Communists love to make films about composers, because composers compose music and don't talk subversive things.
Communists love to make films about composers because composers compose music and don't talk subversive things.
Composers can do things that weren't allowed in the 17th century. Until we had composers like Igor Stravinsky and Sergei Rachmaninoff to break the rules.
I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.
There was this kind of dictatorship of the Darmstadt school, composers like Boulez and Stockhausen, who were very strict and orthodox. They would not allow other composers to write the music they wanted to write, and only a certain kind of music could be played.
The great composers I worked with along the way, I always felt they were filmmakers more than composers. They would talk about the story rather than the music.
New Amsterdam Records, a new label run by composers, has begun documenting this hybrid music, with invigorating discs by the band itsnotyouitsme and the composers Corey Dargel and William Brittelle.
I think the tendency to paint composers or styles of music with too broad a brush - for example, identifying composers as writers of "simple" or "complex" music - has become increasingly problematic and is almost never productive.
Even experimental composers, revolutionary composers, self-styled radicals are, in writing revolutionary music, recognizing the music that preceded them precisely by trying to avoid it.
Well, American composers are the best composers. At this time in the world, we are where the energy is. We are the most diverse, the most iconoclastic, the most maverick, and the most skillful.
Physicists are more like avant-garde composers, willing to bend traditional rules... Mathematicians are more like classical composers.
I am an arrogant and impatient listener, but in the case of a few composers, a very few, when I hear a work I do not like, I am convinced that it is my own fault. Verdi is one of those composers.
Composers and lyricists are not responsible for storyline and casting. One can imagine actors shouldering this responsibility, since they charge for half the film. But producers never ask actors to share the losses. Instead, they train their guns on composers and lyricists.
If somebody says, 'Well, what are your favorite composers?' really, what they are saying is, 'What are your favorite composers apart from Bach?' Because obviously, Bach is your favorite composer if you are involved in music at all.
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