A Quote by Brian Friel
It is not the literal past, the 'facts' of history, that shape us, but images of the past embodied in language.
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It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.
It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.
Truth: We are the present. We are now. We are the razor's edge of history. The future flies at us and from that dark blur we shape the past. And the past is forever.
The accounts that history presents have to be paid. Past has to be reconciled with present in the life of a nation. History is an insistent force: the past is what put us where we are. the past cannot be put behind until it is settled with.
The past is never dead. It's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose providence dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always.
Ever since childhood, I've been interested in history and myth. Not just the facts and figures of the past, but everything that contributes to shape our perception of an age: architecture, art, literature and so forth.
The knowledge of the past stays with us. To let go is to release the images and emotions, the grudges and fears, the clingings and disappointments of the past that bind our spirit.
There are those who regard this history of past strife and exile as better forgotten. But, to use the phrase of Yeats, let us not casually reduce "that great past to a trouble of fools." For we need not feel the bitterness of the past to discover its meaning for the present and the future.
Language also encodes our past. We want to know who we are. To know who we are, we have to know who we used to be. Consequently, our literature, written in the past, anchors us in that past.
We cannot fling ourselves into the blank future; we can only call up images from the past. This being so, the important principle follows, that how many images we have largely depends on how much past we have.
While I honor the soldiers in my family, and I am a student of history, the past is the past, and I do not live in the past.
History in Burckhardt's words is 'the record of what one age finds worthy of note in another.' The past is intelligible to us only in light of the present; and we can fully understand the present only in light of the past. To enable man to understand the society of the past and to increase his mastery over the society of the present is the dual function of history.
That the past is ahead, in front of us, is a conception of time that helps us retain our memories and to be aware of its presents. What is behind us [the future] cannot be seen and is liable to be forgotten readily. What is ahead of us [the past] cannot be forgotten so readily or ignored, for it is in front of our minds' eyes, always reminding us of its presence. The past is alive in us, so in more than a metaphorical sense the dead are alive - we are our history.
The history of the genocide perpetrated during the Second World War does not belong to the past only. It is a ‘living history’ that concerns us all, regardless of our background, culture, or religion. Other genocides have occurred after the Holocaust, on several continents. How can we draw better lessons from the past?
History does influence our lives - every moment. We never sort of live our lives in a linear fashion. We always have these memories and these images from our past that sometimes we're not even aware of, and they sort of shape who we are.
Facts are the images of history, just as images are the facts of fiction.
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