A Quote by Brian Gleeson

I was always goofing around. I suppose having a father who was an actor made you think that it was a real possibility as a career. — © Brian Gleeson
I was always goofing around. I suppose having a father who was an actor made you think that it was a real possibility as a career.
If you want to be an actor, you have to be serious about it. You can't be goofing around.
I don't think I've ever come to terms with not having had a father around, and that's why I made so many mistakes with men.
I was one of those weirdos who, at six years old, was telling everybody that I wanted to be an actor. I saw my sister in a play and realized that I wanted to play make believe in front of people; I was always goofing around and putting on shows for my family.
I've never known my real father, and I've never looked for a father figure in a boyfriend, but I suppose I have looked for real father figures in my life - and I've acquired more than one. I certainly couldn't ask for better ones. I love them enormously - and they know that.
I've always had a really developed sense of justice. As a child, I would rotate my dolls' dresses for fear that they might come alive at midnight and one of them would always have the best dress on. Whatever it was that made me worry about my dolls I suppose has paid off in my career because, really, an actor is all about empathy and imagination. And those are the cornerstones of activism.
Not having my father around has made me a better person.
Most veterans detested training camp, but not me. I loved having a dorm room and a little fridge with snacks, and I looked forward to goofing around in the meetings.
I think at any point in your career as a creative, whether you're an actor, writer whatever it's a real turning point when someone who's not you turns around and validates your work it gives you a lot of confidence.
Because I have a passion for the play. My father was a chess teacher, and I learned the play of him as a small child. Occasionally I made another career; but now I have again the possibility of maintaining the passion of my early youth days.
At the point when I lost my father, it really made me want to be like a father and be like my father. It was a real turning point for me because it helped me mature - it made me think about being responsible because I wasn't the only one I had to think about.
Suppose... suppose we have only dreamed and made up these things like sun, sky, stars, and moon, and Aslan himself. In that case, it seems to me that the made-up things are a good deal better than the real ones. And if this black pits of a kingdom is the best you can make, then it's a poor world. And we four can make a dream world to lick your real one hollow.
Unlike my mother, who was unashamedly delighted when I decided to become an actor, I always feel that my father, had he lived longer, might have been a touch disapproving of some of my career - I think he might have tutted a bit at 'Men Behaving Badly.'
I suppose what's happened recently has confirmed suspicions I voiced in the book, and I think made clearer some of those things that I point out. For instance I have a section of the book where I talk about the possibility of torture.
It's real time intensive so there's not much time for goofing around, but we are really close and we have a good time with each other. It's a great group.
Where do I get my ideas from? You might as well have asked that of Beethoven. He was goofing around in Germany like everybody else, and all of a sudden this stuff came gushing out of him. It was music. I was goofing around like everybody else in Indiana, and all of a sudden stuff came gushing out. It was disgust with civilization.
I think that's why I'm an actor: so I can tell those stories without having to really live through those stories with real consequences and real stakes, real responsibility.
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