A Quote by Brian Gleeson

I was impressed that when it came to making 'Rebellion,' they sought out Aku Louhimies, a Finnish director who's part of that new wave of Scandinavian realist drama. — © Brian Gleeson
I was impressed that when it came to making 'Rebellion,' they sought out Aku Louhimies, a Finnish director who's part of that new wave of Scandinavian realist drama.
My mother and stepfather were documentary filmmakers and, of course, had a very healthy Scandinavian mentality. When it came to cinema, my mother was very obsessed with the French New Wave. That was her generation.
No doubt there is a Scandinavian wave. I guess everybody is just surfing their wave until it breaks and hoping it won't be too soon.
I have such amazing memories [about The Hotel New Hampshire movie], because Tony Richardson was such an amazing director, and the subject matter was so bizarre, and yet it was the most sought-after part at that moment. And then it had the good fortune to come out on the same day as Splash.
In a way, all Scandinavian movies are descendants of the original Scandinavian Christian-metaphor movie, Danish director Carl Dreyer's 1928 'The Passion of Joan of Arc,' one of the seven or eight best films ever made and impossible to watch more than once.
I used to do a Saturday drama group called Young Blood Theatre Company with school-friends in west London - nothing to do with my mum and dad. A casting director came to pick people out for a new BBC children's series called 'MI High.' She picked me, I auditioned, and I got the job.
My parents came to the United States in the early years of this century as part of a wave of Russian Jewish immigrants seeking freedom and opportunity in the New World.
For me, the French new wave is Truffaut and Rohmer. Godard I sometimes have trouble with because he's very much of a director's director. I feel Truffaut is such a humanist, and I always go in that direction.
Virtually, Finnish woods are stripped so bare, so sold out and first and foremost, so long way off from genuine diverse natural forest, that the resources of language will not permit excessive words. Finnish forest economy has been compared to the ravaging of rain forests. Nevertheless, the noteworthy difference is that there is a half or two thirds left from rain forests, but from Finnish forests there is left - excluding arctic Lapland - 0,6 per cent.
As a new artist, you come out, and there are so many other new artists. It seems like there's a whole wave of new artists that come along every year. In '05, I was part of the crop. It was a lot harder trying to set myself apart from the rest of the pack.
What happened in the early days of Disney is that Walt Disney used all of the new technologies as they came out. When matting came out, they adopted it. They adopted sound and color and xerography. Walt did that. And then, when he died, people began to think that this is just about making films, so they stopped bringing in new technologies.
'Course, 'Santini' bombed in England, y'know. It came out at the height of the New Wave, which couldn't have been a worse time for a solo singer trying to sell rock melodies.
A man who has been shot at is a new realist, and what do you say to a realist when the war is a war of ideals?
We have 5000-year-old history which is now almost a part of our DNA. How do you break that? America, for example, doesn't have that history behind it. It romanticizes rebellion. We look down upon rebellion. It's an insult. To think out-of-the-box is looked down upon here.
As a kid, I wasn't given the sense that celebrity, or fame, or any of that, was something to be impressed by, or to seek out. It was always impressed upon me that making something well crafted, something respected, was the most important thing to do with your life, and I've tried to do that where I can in my field.
I mean, you could have said Elvis Presley was new wave when it happened. I heard Willy DeVille and Tom Petty and to me they were new wave really because they were new.
I am a fan of all genres. My big thing is to serve the purpose of the script and what the director wants. If it's a comedy, I want to be funny; if it's action, I want to bring the action. If it's drama, I want to be the catalyst for that drama. That's the fun part; it never gets boring being an actor.
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