A Quote by Brian Gleeson

'Love/Hate' was a milestone in terms of working on something at home that felt very special. — © Brian Gleeson
'Love/Hate' was a milestone in terms of working on something at home that felt very special.
I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow, there's something special about living as an Englishwoman in Paris.
I felt very special in Paris, more special than I felt in London. I love London for different reasons. I've always been close to London, being English. But somehow there's something special about living as an Englishwoman in Paris.
There was something really special about working with Lena Dunham. I immediately felt very comfortable with her, and we spoke the same language.
In every successful still photographic project that I have completed, there has always been a turning point in the story where I felt that perhaps I was working on something that could be very special.
It's very hard to reflect properly when you're still playing but the hundreds one - when I got my 23rd in Kolkata - felt the most special because it broke a benchmark that had stood for a very long time. It felt good to do something no Englishman has done before.
Only sixteen players have hit fifty or more homers in a season. To me, that's a very special milestone.
When I was 14, I felt very rundown; I had a home to go to, but I felt like I was 60 or something, older than I feel now. And I don't know if it's something that happens at 14, or whether it was adolescence or whether I was gay, or closeted gay, or whatever it was, I felt that.
It's very, very special for me. This is where I've grown up, it's my home, and winning the Monaco Grand Prix is the highlight of any racing driver's career and for me a childhood dream. It being my home makes it all the more special, unbelievable.
Toronto has been home to me and my family for almost 5 years. I arrived here from Italy in January 2015 and immediately felt something special.
When we first started we felt something changing in terms of work, and we felt it was a global shift. People were taking control of their future, not just in terms of making money. They wanted to control their own destiny.
I don't have to build up strength; I have been blessed with it. I do lift weights and train hard, but I am a very special individual - a very special man with very special talent and very special power. I can get any man - any man - out of there in a matter of seconds. That is the thing I love about myself.
It's weird with making music - you can have no vibe while you're working on something and recognize that the music was special afterwards. And it happens to me while I am working on my own music, as well! One minute you hate it, and then a few years you're obsessed with a little beat you did, and the opposite.
I think you can have your career and still bring to your family something very, very special. There are some people who are born mothers, who don't want to work and just want to stay at home, and that's fantastic, but for me it was something very difficult.
The first time I saw 'Macbeth' was not the entire play. It was at acting school, and this student was working on Lady Macbeth's soliloquy. I felt something very special, and I knew then that I would one day experience Lady Macbeth, but I always thought it would be on stage and in French.
The very first day that Hillary came over, we were working on a song called 'All We'd Ever Need.' But we never even thought about it until we had written 5, 6, 7 songs. Then we played our first show, and we all enjoyed it so much. We felt like it was something a special and different. So from there we decided to do Lady Antebellum.
And remember one fundamental law of life. If they are hostile, they have hate towards us, sooner or later they are going to fall into my trap, because hate can turn into love very easily, just as love can become hate very easily.
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